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• FFMPEG wrong duration when using amix filter

  12 mars 2020, par Leonard

  I am trying to add background music to a video with an existing audio-track. I settled for the amix filter, since other filters seemed to cause a delayed audio track. So far everything is working as intended, however the output video is cut off at 11:34min. Which is 3 seconds shorter than the input video. I already tried to increase the length of the input video by e.g. 5 seconds, which still leads to the same output length of 11:34min. Here is the exact command I am using :

  ffmpeg -i video.mp4 -i bg_music.wav -filter_complex "[0:a]volume=1.5[a0];[1:a]volume=0.2[a1];[a0][a1]amix=duration=shortest[a]" -map 0:v -map [a] -c:v copy -c:a aac -ar 22050 out.mp4

  And this is the output I am getting. In this call the video has a length of 11:42min and the audio a length of 36:59min. I am running macOS Catalina 10.15.3 :

    built with Apple clang version 11.0.0 (clang-1100.0.33.17)
  
    configuration: --prefix=/usr/local/Cellar/ffmpeg/4.2.2_2 --enable-shared --enable-pthreads --enable-version3 --enable-avresample --cc=clang --host-cflags= --host-ldflags= --enable-ffplay --enable-gnutls --enable-gpl --enable-libaom --enable-libbluray --enable-libmp3lame --enable-libopus --enable-librubberband --enable-libsnappy --enable-libtesseract --enable-libtheora --enable-libvidstab --enable-libvorbis --enable-libvpx --enable-libwebp --enable-libx264 --enable-libx265 --enable-libxvid --enable-lzma --enable-libfontconfig --enable-libfreetype --enable-frei0r --enable-libass --enable-libopencore-amrnb --enable-libopencore-amrwb --enable-libopenjpeg --enable-librtmp --enable-libspeex --enable-libsoxr --enable-videotoolbox --disable-libjack --disable-indev=jack
  
    libavutil      56. 31.100 / 56. 31.100
  
    libavcodec     58. 54.100 / 58. 54.100
  
    libavformat    58. 29.100 / 58. 29.100
  
    libavdevice    58.  8.100 / 58.  8.100
  
    libavfilter     7. 57.100 /  7. 57.100
  
    libavresample   4.  0.  0 /  4.  0.  0
  
    libswscale      5.  5.100 /  5.  5.100
  
    libswresample   3.  5.100 /  3.  5.100
  
    libpostproc    55.  5.100 / 55.  5.100
  
  Input #0, mov,mp4,m4a,3gp,3g2,mj2, from 'video.mp4':
  
    Metadata:
  
      major_brand     : isom
  
      minor_version   : 512
  
      compatible_brands: isomiso2avc1mp41
  
      encoder         : Lavf58.29.100
  
    Duration: 00:11:42.14, start: 0.000000, bitrate: 9182 kb/s
  
      Stream #0:0(und): Video: h264 (High) (avc1 / 0x31637661), yuv420p, 1920x1080, 9196 kb/s, 4.89 fps, 2.92 tbr, 15360 tbn, 120 tbc (default)
  
      Metadata:
  
        handler_name    : VideoHandler
  
      Stream #0:1(und): Audio: aac (LC) (mp4a / 0x6134706D), 22050 Hz, stereo, fltp, 100 kb/s (default)
  
      Metadata:
  
        handler_name    : SoundHandler
  
  Guessed Channel Layout for Input Stream #1.0 : stereo
  
  Input #1, wav, from 'bg_music.wav':
  
    Metadata:
  
      encoder         : Adobe Audition 13.0 (Macintosh)
  
      date            : 2020-02-28
  
      creation_time   : 15:49:40
  
      time_reference  : 0
  
    Duration: 00:36:58.57, bitrate: 2822 kb/s
  
      Stream #1:0: Audio: pcm_f32le ([3][0][0][0] / 0x0003), 44100 Hz, stereo, flt, 2822 kb/s
  
  Stream mapping:
  
    Stream #0:1 (aac) -> volume
  
    Stream #1:0 (pcm_f32le) -> volume
  
    Stream #0:0 -> #0:0 (copy)
  
    amix -> Stream #0:1 (aac)
  
  Press [q] to stop, [?] for help
  
  Output #0, mp4, to 'out.mp4':
  
    Metadata:
  
      major_brand     : isom
  
      minor_version   : 512
  
      compatible_brands: isomiso2avc1mp41
  
      encoder         : Lavf58.29.100
  
      Stream #0:0(und): Video: h264 (High) (avc1 / 0x31637661), yuv420p, 1920x1080, q=2-31, 9196 kb/s, 4.89 fps, 2.92 tbr, 15360 tbn, 15360 tbc (default)
  
      Metadata:
  
        handler_name    : VideoHandler
  
      Stream #0:1: Audio: aac (LC) (mp4a / 0x6134706D), 22050 Hz, stereo, fltp, 128 kb/s (default)
  
      Metadata:
  
        encoder         : Lavc58.54.100 aac
  
  frame= 3392 fps=510 q=-1.0 Lsize=  789403kB time=00:11:33.46 bitrate=9325.3kbits/s speed= 104x
  
  video:778257kB audio:11032kB subtitle:0kB other streams:0kB global headers:0kB muxing overhead: 0.014279%
  
  [aac @ 0x7fe32d00e800] Qavg: 333.046```

• 10 Matomo Features You Possibly Didn’t Know About

  28 octobre 2022, par Erin

  Most users know Matomo as the privacy-focussed web analytics tool with data accuracy, superior to Google Analytics. 

  And we’re thrilled to be that — and more ! 

  At Matomo, our underlying product vision is to provide a full stack of accurate, user-friendly and privacy-mindful online marketing tools. 

  Over the years, we’ve expanded beyond baseline website statistics. Matomo Cloud users also get to benefit from additional powerful tools for audience segmentation, conversion optimisation, advanced event tracking and more. 

  Here are the top 10 advanced Matomo features you wish you knew about earlier (but won’t stop using now !). 

  Funnels

  At first glance, most customer journeys look sporadic. But every marketer will tell you that there is a method to almost every users’ madness. Or more precisely — there’s a method you can use to guide users towards conversions. 

  That’s called a customer journey — a schematic set of steps and actions people complete from developing awareness and interest in your solution to consideration and finally conversion.

  On average, 8 touchpoints are required to turn a prospect into a customer. Though the number can be significantly bigger in B2B sales and smaller for B2C Ecommerce websites. 

  With the Funnels feature, you can first map all the on-site touchpoints (desired actions) for different types of customers. Then examine the results you’re getting as prospects move through these checkbox steps.

  Funnel reports provide :

  • High-level metrics such as “Funnel conversion rate”, “Number of funnel conversions”, “Number of funnel entries”. 
  • Drilled-down reports for each funnel and each tracked action within it. This way you can track the success rates of each step and estimate their contribution to the cumulative effect.

  Segmented funnel reports for specific user cohorts (with Matomo Segmentation enabled).

  

  What makes funnels so fun (pun intended) ? The variety of use cases and configurations ! 

  You can build funnels to track conversion rates for :

  • Newsletter subscriptions
  • Job board applications 
  • Checkout or payment 
  • Product landing pages
  • Seasonal promo campaigns

  …. And pretty much any other page where users must complete a meaningful action. So go test this out. 

  Form Analytics

  On-site forms are a 101 tactic for lead generation. For most service businesses, a “contact request” or a “booking inquiry” submission means a new lead in your pipeline. 

  That said : the average on-site form conversion rates across industries stand at below 50% : 

  • Property – 37% 
  • Telecoms – 40%
  • Software — 46.83%

  That’s not bad, but it could be better. If only you could figure out why people abandon your forms….

  Oh wait, Matomo Form Analytics can supply you with answers. Form Analytics provide real-time information on key form metrics — total views, starter rate, submitter rate, conversions and more.

  

  Separately the average form hesitation time is also provided (in other words, the time a user contemplates if filling in a form is worth the effort). Plus, Matomo also tracks the time spent on form submission.

  You can review : 

  • Top drop-off fields – to understand where you are losing prospects. These fields should either be removed or simplified (e.g., with a dropdown menu) to increase conversions.
  • Most corrected-field – this will provide a clear indication of where your prospects are struggling with a form. Providing help text can simplify the process and increase conversions. 
  • Unesserary fields – with this metric, you’ll know which optional fields your leads aren’t interested in filling in and can remove them to help drive conversions. 

  With Form Analytics, you’ll be able to boost conversions and create a better on-site experience with accurate user data. 

  A/B testing

  Marketing is both an art and a science. A/B testing (or split testing) helps you statistically verify which creative ideas perform better. 

  A good conversion rate optimisation (CRO) practice is to test different elements and to do so often to find your top contenders.

  What can you split test ? Loads of things :

  • Page slogans and call-to-actions 
  • Button or submission form placements
  • Different landing page designs and layouts
  • Seasonal promo offers and banners
  • Pricing information 
  • Customer testimonial placements 

  More times than not, those small changes in page design or copy can lead to a double-digit lift in conversion rates. Accounting software Sage saw a 30% traffic boost after changing the homepage layout, copy and CTAs based on split test data. Depositphotos, in turn, got a 9.32% increase in account registration rate (CR) after testing a timed pop-up registration form. 

  The wrinkle ? A/B testing software isn’t exactly affordable, with tools averaging $119 – $1,995 per month. Plus, you then have to integrate a third-party tool with your website analytics for proper attribution — and this can get messy.

  Matomo saves you the hassle in both cases. An A/B testing tool is part of your Cloud subscription and plays nicely with other features — goal tracking, heatmaps, historic visitor profiles and more. 

  You can run split tests with Matomo on your websites or mobile apps — and find out if version A, B, C or D is the top performer. 

  

  Advertising Conversion Exports

  A well-executed search marketing or banner remarketing campaign can drive heaps of traffic to your website. But the big question is : How much of it will convert ?

  The AdTech industry has a major problem with proper attribution and, because of it, with ad fraud. 

  Globally, digital ad fraud will cost advertisers a hefty $8 billion by the end of 2022. That’s when another $74 million in ad budgets get wasted per quarter. 

  The reasons for ad budget waste may vary, but they often have a common denominator : lack of reliable conversion tracking data.

  Matomo helps you get a better sense of how you spend your cents with Advertising Conversion Reports. Unlike other MarTech analytics tools, you don’t need to embed any third-party advertising network trackers into your website or compromise user privacy.

  Instead, you can easily export accurate conversion data from Matomo (either manually via a CSV file or automated with an HTTPS link) into your Google Ads, Microsoft Advertising or Yandex Ads for cross-validation. This way you can get an objective view of the performance of different campaigns and optimise your budget allocations accordingly. 

  Find out more about tracking ad campaigns with Matomo.

  Matomo Tag Manager

  The marketing technology landscape is close to crossing 10,000 different solutions. Cross-platform advertising trackers and all sorts of customer data management tools comprise the bulk of that growing stack. 

  Remember : Each new tool embed adds extra “weight” to your web page. More tracking scripts equal slower page loading speed — and more frustration for your users. Likewise, extra embeds often means dialling up the developer (which takes time). Or tinkering with the site code yourself (which can result in errors and still raise the need to call a developer). 

  With Tag Manager, you can easily generate tags for :

  • Custom analytics reports 
  • Newsletter signups
  • Affiliates 
  • Form submission tracking 
  • Exit popups and surveys
  • Ads and more

  With Matomo Tag Manager, you can monitor, update or delete everything from one convenient interface. Finally, you can programme custom triggers — conditions when the tag gets activated — and specify data points (variables) it should collect. The latter is a great choice for staying privacy-focused and excluding any sensitive user information from processing. 

  With our tag management system (TMS), no rogue tags will mess up your analytics or conversion tracking. 

  Session recordings

  User experience (UX) plays a pivotal role in your conversion rates. 

  A five-year McKinsey study of 300 publicly listed companies found that companies with strong design practices have 32 percentage points higher revenue growth than their peers. 

  But what makes up a great website design and browsing experience ? Veteran UX designers name seven qualities :

  

  To figure out if your website meets all these criteria, you can use Session Recording — a tool for recording how users interact with your website. 

  By observing clicks, mouse moves, scrolls and form interactions you can determine problematic website design areas such as poor header navigation, subpar button placements or “boring” blocks of text. 

  Such observational studies are a huge part of the UX research process because they provide unbiased data on interaction. Or as Nielsen Norman Group puts it :

  “The way to get user data boils down to the basic rules of usability :

  • Watch what people actually do.
  • Do not believe what people say they do.
  • Definitely don’t believe what people predict they may do in the future.” 

  Most user behaviour analytics tools sell such functionality for a fee. With Matomo Cloud, this feature is included in your subscription. 

  Heatmaps

  While Session Replays provide qualitative insights, Heatmaps supply you with first-hand qualitative insights. Instead of individual user browsing sessions, you get consolidated data on where they click and how they scroll through your website. 

  

  Heatmaps are another favourite among UX designers and their CRO peers because you can :

  • Validate earlier design decisions around information architecture, page layout, button placements and so on. 
  • Develop new design hypotheses based on stats and then translate them into website design improvements. 
  • Identify distractive no-click elements that confuse users and remove them to improve conversions. 
  • Locate problematic user interface (UI) areas on specific devices or operating systems and improve them for a seamless experience.

  To get even more granular results, you can apply up to 100 Matomo segments to drill down on specific user groups, geographies or devices. 

  This way you can make data-based decisions for A/B testing, updating or redesigning your website pages. 

  Custom Alerts

  When it comes to your website, you don’t want to miss anything big — be it your biggest sales day or a sudden nosedive in traffic. 

  That’s when Custom Alerts come in handy. 

  

  With a few clicks, you can set up email or text-based alerts about important website metrics. Once you hit that metric, Matomo will send a ping. 

  You can also set different types of Custom Alerts for your teams. For example, your website administrator can get alerted about critical technical performance issues such as a sudden spike in traffic. It can indicate a DDoS attack (in the worst case) — and timely resolution is crucial here. Or suggest that your website is going viral and you might need to provision extra computing resources to ensure optimal site performance.

  Your sales team, in turn, can get alerted about new form submissions, so that they can quickly move on to lead scoring and subsequent follow-ups. 

  Use cases are plentiful with this feature. 

  Custom Dashboards and Reports

  Did you know you can get a personalised view of the main Matomo dashboards ? 

  By design, we made different website stats available as separate widgets. Hence, you can cherry-pick which stats get a prominent spot. Moreover, you can create and embed custom widgets into your Matomo dashboard to display third-party insights (e.g., POS data).

  Set up custom dashboard views for different teams, business stakeholders or clients to keep them in the loop on relevant website metrics. 

  

  Custom Reports feature, in turn, lets you slice and dice your traffic analytics the way you please. You can combine up to three different data dimensions per report and then add any number of supported metrics to get a personalised analytics report.

  For example, to zoom in on your website performance in a specific target market you can apply “location” (e.g., Germany) and “action type” (e.g., app downloads) dimensions and then get segmented data on metrics such as total visits, conversion rates, revenue and more. 

  Get to know even more ways to customise Matomo deployment.

  Roll Up Report

  Need to get aggregated traffic analytics from multiple web properties, but not ready to pay $150K per year for Google Analytics 360 for that ?

  We’ve got you with Roll-Up Reporting. You can get a 360-degree view into important KPIs like global revenue, conversion rates or form performance across multiple websites, online stores, mobile apps and even Intranet properties.

  

  Setting up this feature takes minutes, but saves you hours on manually exporting and cross-mapping data from different web analytics tools. 

  Channel all those saved hours into more productive things like increasing your conversion rates or boosting user engagement. 

  Avoid Marketing Tool Sprawl with Matomo 

  With Matomo as your website analytics and conversion optimisation app, you don’t need to switch between different systems, interfaces or have multiple tracking codes embedded on your site.

  And you don’t need to cultivate a disparate (and expensive !) MarTech tool stack — and then figure out if each of your tools is compliant with global privacy laws.

  All the tools you need are conveniently housed under one roof. 

  Want to learn more about Matomo features ? Check out product training videos next ! 

  21 day free trial. No credit card required.

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  I hereby accept the terms and conditions and the data processing agreement (DPA).

  
  Your information will be used to create an account on our cloud service. For more information please consult our privacy policy.
  
  

  » Start improving your websites now

  

• Font setting for ffmpeg not working when adding subtitles from .srt file

  29 septembre 2022, par asdfgh

  I've been trying to use the ffmpeg-subtitles
option like this

  


  ffmpeg -i demo.mp4 -vf "subtitles=demo.srt:fontsdir=/usr/share/fonts/truetype/dejavu:force_style='Fontsize=24px,PrimaryColour=&H000000FF,force_style=Fontname=DejaVuSerif'" out.mp4


  


  but it seems to me that some default config file is overriding font argument from command line because it is ignored (the other things like generating video with subtitle and text coloring works fine), as per this line

  


  fontselect: (Arial, 400, 0) -> /usr/share/fonts/truetype/liberation/LiberationSans-Regular.ttf, 0, LiberationSans


  


  no matter what I give as fontsdir or Fontname, ffmpeg always uses LiberationSans. Here is the full output of the command above :

  


  ffmpeg version 4.1.6-1~deb10u1 Copyright (c) 2000-2020 the FFmpeg developers
  built with gcc 8 (Debian 8.3.0-6)
  configuration: --prefix=/usr --extra-version='1~deb10u1' --toolchain=hardened --libdir=/usr/lib/x86_64-linux-gnu --incdir=/usr/include/x86_64-linux-gnu --arch=amd64 --enable-gpl --disable-stripping --enable-avresample --disable-filter=resample --enable-avisynth --enable-gnutls --enable-ladspa --enable-libaom --enable-libass --enable-libbluray --enable-libbs2b --enable-libcaca --enable-libcdio --enable-libcodec2 --enable-libflite --enable-libfontconfig --enable-libfreetype --enable-libfribidi --enable-libgme --enable-libgsm --enable-libjack --enable-libmp3lame --enable-libmysofa --enable-libopenjpeg --enable-libopenmpt --enable-libopus --enable-libpulse --enable-librsvg --enable-librubberband --enable-libshine --enable-libsnappy --enable-libsoxr --enable-libspeex --enable-libssh --enable-libtheora --enable-libtwolame --enable-libvidstab --enable-libvorbis --enable-libvpx --enable-libwavpack --enable-libwebp --enable-libx265 --enable-libxml2 --enable-libxvid --enable-libzmq --enable-libzvbi --enable-lv2 --enable-omx --enable-openal --enable-opengl --enable-sdl2 --enable-libdc1394 --enable-libdrm --enable-libiec61883 --enable-chromaprint --enable-frei0r --enable-libx264 --enable-shared
  libavutil      56. 22.100 / 56. 22.100
  libavcodec     58. 35.100 / 58. 35.100
  libavformat    58. 20.100 / 58. 20.100
  libavdevice    58.  5.100 / 58.  5.100
  libavfilter     7. 40.101 /  7. 40.101
  libavresample   4.  0.  0 /  4.  0.  0
  libswscale      5.  3.100 /  5.  3.100
  libswresample   3.  3.100 /  3.  3.100
  libpostproc    55.  3.100 / 55.  3.100
Input #0, mov,mp4,m4a,3gp,3g2,mj2, from 'demo.mp4':
  Metadata:
    major_brand     : isom
    minor_version   : 512
    compatible_brands: isomiso2avc1mp41
    encoder         : Lavf58.45.100
  Duration: 00:00:17.27, start: 0.000000, bitrate: 752 kb/s
    Stream #0:0(und): Video: h264 (Constrained Baseline) (avc1 / 0x31637661), yuv420p, 410x358 [SAR 3529:3532 DAR 723445:632228], 751 kb/s, SAR 8234:8241 DAR 230:201, 30 fps, 30 tbr, 15360 tbn, 60 tbc (default)
    Metadata:
      handler_name    : VideoHandler
File 'out.mp4' already exists. Overwrite ? [y/N] y
Stream mapping:
  Stream #0:0 -> #0:0 (h264 (native) -> h264 (libx264))
Press [q] to stop, [?] for help
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Shaper: FriBidi 0.19.7 (SIMPLE) HarfBuzz-ng 2.3.1 (COMPLEX)
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerifCondensed-Bold.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansMono-Bold.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerifCondensed.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSans-BoldOblique.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansCondensed-Oblique.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansMono-Oblique.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerifCondensed-BoldItalic.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansCondensed.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuMathTeXGyre.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerif-BoldItalic.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSans.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSans-Bold.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerifCondensed-Italic.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSans-ExtraLight.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansCondensed-Bold.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansMono.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerif-Bold.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansMono-BoldOblique.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerif.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSans-Oblique.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSerif-Italic.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Loading font file '/usr/share/fonts/truetype/dejavu/DejaVuSansCondensed-BoldOblique.ttf'
[Parsed_subtitles_0 @ 0x5589d9ca5a40] Using font provider fontconfig
[Parsed_subtitles_0 @ 0x5589d9ca5a40] fontselect: (Arial, 400, 0) -> /usr/share/fonts/truetype/liberation/LiberationSans-Regular.ttf, 0, LiberationSans
[libx264 @ 0x5589d9b4cb40] using SAR=3529/3532
[libx264 @ 0x5589d9b4cb40] using cpu capabilities: MMX2 SSE2Fast SSSE3 SSE4.2 AVX FMA3 BMI2 AVX2
[libx264 @ 0x5589d9b4cb40] profile High, level 2.1
[libx264 @ 0x5589d9b4cb40] 264 - core 155 r2917 0a84d98 - H.264/MPEG-4 AVC codec - Copyleft 2003-2018 - http://www.videolan.org/x264.html - options: cabac=1 ref=3 deblock=1:0:0 analyse=0x3:0x113 me=hex subme=7 psy=1 psy_rd=1.00:0.00 mixed_ref=1 me_range=16 chroma_me=1 trellis=1 8x8dct=1 cqm=0 deadzone=21,11 fast_pskip=1 chroma_qp_offset=-2 threads=6 lookahead_threads=1 sliced_threads=0 nr=0 decimate=1 interlaced=0 bluray_compat=0 constrained_intra=0 bframes=3 b_pyramid=2 b_adapt=1 b_bias=0 direct=1 weightb=1 open_gop=0 weightp=2 keyint=250 keyint_min=25 scenecut=40 intra_refresh=0 rc_lookahead=40 rc=crf mbtree=1 crf=23.0 qcomp=0.60 qpmin=0 qpmax=69 qpstep=4 ip_ratio=1.40 aq=1:1.00
Output #0, mp4, to 'out.mp4':
  Metadata:
    major_brand     : isom
    minor_version   : 512
    compatible_brands: isomiso2avc1mp41
    encoder         : Lavf58.20.100
    Stream #0:0(und): Video: h264 (libx264) (avc1 / 0x31637661), yuv420p, 410x358 [SAR 8234:8241 DAR 230:201], q=-1--1, 30 fps, 15360 tbn, 30 tbc (default)
    Metadata:
      handler_name    : VideoHandler
      encoder         : Lavc58.35.100 libx264
    Side data:
      cpb: bitrate max/min/avg: 0/0/0 buffer size: 0 vbv_delay: -1
frame=  518 fps=216 q=-1.0 Lsize=     936kB time=00:00:17.16 bitrate= 446.7kbits/s speed=7.15x    
video:929kB audio:0kB subtitle:0kB other streams:0kB global headers:0kB muxing overhead: 0.716306%
[libx264 @ 0x5589d9b4cb40] frame I:3     Avg QP:22.06  size:  9804
[libx264 @ 0x5589d9b4cb40] frame P:169   Avg QP:25.02  size:  3412
[libx264 @ 0x5589d9b4cb40] frame B:346   Avg QP:27.47  size:   997
[libx264 @ 0x5589d9b4cb40] consecutive B-frames:  7.7%  6.6%  9.3% 76.4%
[libx264 @ 0x5589d9b4cb40] mb I  I16..4: 14.3% 63.4% 22.2%
[libx264 @ 0x5589d9b4cb40] mb P  I16..4:  9.9% 16.4%  2.6%  P16..4: 41.8% 17.3%  5.2%  0.0%  0.0%    skip: 6.7%
[libx264 @ 0x5589d9b4cb40] mb B  I16..4:  1.6%  2.3%  0.3%  B16..8: 43.9%  5.7%  0.6%  direct: 2.2%  skip:43.4%  L0:50.8% L1:44.1% BI: 5.0%
[libx264 @ 0x5589d9b4cb40] 8x8 transform intra:56.4% inter:82.5%
[libx264 @ 0x5589d9b4cb40] coded y,uvDC,uvAC intra: 41.7% 64.7% 6.3% inter: 14.9% 20.9% 0.0%
[libx264 @ 0x5589d9b4cb40] i16 v,h,dc,p: 15% 27%  9% 49%
[libx264 @ 0x5589d9b4cb40] i8 v,h,dc,ddl,ddr,vr,hd,vl,hu: 21% 23% 17%  6%  7%  6%  8%  7%  6%
[libx264 @ 0x5589d9b4cb40] i4 v,h,dc,ddl,ddr,vr,hd,vl,hu: 22% 27% 11%  5%  9%  8%  9%  5%  4%
[libx264 @ 0x5589d9b4cb40] i8c dc,h,v,p: 54% 22% 14%  9%
[libx264 @ 0x5589d9b4cb40] Weighted P-Frames: Y:18.9% UV:5.9%
[libx264 @ 0x5589d9b4cb40] ref P L0: 62.8% 16.2% 15.4%  4.9%  0.8%
[libx264 @ 0x5589d9b4cb40] ref B L0: 91.0%  7.4%  1.6%
[libx264 @ 0x5589d9b4cb40] ref B L1: 97.4%  2.6%
[libx264 @ 0x5589d9b4cb40] kb/s:440.62