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Médias (91)
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DJ Z-trip - Victory Lap : The Obama Mix Pt. 2
15 septembre 2011
Mis à jour : Avril 2013
Langue : English
Type : Audio
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Matmos - Action at a Distance
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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DJ Dolores - Oslodum 2004 (includes (cc) sample of “Oslodum” by Gilberto Gil)
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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Danger Mouse & Jemini - What U Sittin’ On ? (starring Cee Lo and Tha Alkaholiks)
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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Cornelius - Wataridori 2
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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The Rapture - Sister Saviour (Blackstrobe Remix)
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
Autres articles (72)
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Dépôt de média et thèmes par FTP
31 mai 2013, parL’outil MédiaSPIP traite aussi les média transférés par la voie FTP. Si vous préférez déposer par cette voie, récupérez les identifiants d’accès vers votre site MédiaSPIP et utilisez votre client FTP favori.
Vous trouverez dès le départ les dossiers suivants dans votre espace FTP : config/ : dossier de configuration du site IMG/ : dossier des média déjà traités et en ligne sur le site local/ : répertoire cache du site web themes/ : les thèmes ou les feuilles de style personnalisées tmp/ : dossier de travail (...) -
Des sites réalisés avec MediaSPIP
2 mai 2011, parCette page présente quelques-uns des sites fonctionnant sous MediaSPIP.
Vous pouvez bien entendu ajouter le votre grâce au formulaire en bas de page. -
MediaSPIP : Modification des droits de création d’objets et de publication définitive
11 novembre 2010, parPar défaut, MediaSPIP permet de créer 5 types d’objets.
Toujours par défaut les droits de création et de publication définitive de ces objets sont réservés aux administrateurs, mais ils sont bien entendu configurables par les webmestres.
Ces droits sont ainsi bloqués pour plusieurs raisons : parce que le fait d’autoriser à publier doit être la volonté du webmestre pas de l’ensemble de la plateforme et donc ne pas être un choix par défaut ; parce qu’avoir un compte peut servir à autre choses également, (...)
Sur d’autres sites (15130)
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lavfi/delogo : use weighted interpolation
26 juin 2013, par Jean Delvarelavfi/delogo : use weighted interpolation
The original delogo algorithm interpolates both horizontally and
vertically and uses the average to compute the resulting sample. This
works reasonably well when the logo area is almost square. However
when the logo area is significantly larger than high or higher than
large, the result is largely suboptimal.The issue can be clearly seen by testing the delogo filter with a fake
logo area that is 200 pixels large and 2 pixels high. Vertical
interpolation gives a very good result in that case, horizontal
interpolation gives a very bad result, and the overall result is poor,
because both are given the same weight.Even when the logo is roughly square, the current algorithm gives poor
results on the borders of the logo area, because it always gives
horizontal and vertical interpolations an equal weight, and this is
suboptimal on borders. For example, in the middle of the left hand
side border of the logo, you want to trust the left known point much
more than the right known point (which the current algorithm already
does) but also much more than the top and bottom known points (which
the current algorithm doesn’t do.)By properly weighting each known point when computing the value of
each interpolated pixel, the visual result is much better, especially
on borders and/or for high or large logo areas.The algorithm I implemented guarantees that the weight of each of the
4 known points directly depends on its distance to the interpolated
point. It is largely inspired from the original algorithm, the key
difference being that it computes the relative weights globally
instead of separating the vertical and horizontal interpolations and
combining them afterward.Signed-off-by : Jean Delvare <khali@linux-fr.org>
Signed-off-by : Stefano Sabatini <stefasab@gmail.com> -
ffmpeg - Can I draw an audio channel as an image ?
16 mai 2017, par RedtopiaI’m wondering if it’s possible to draw an audio channel of a video or audio file as an image using ffmpeg, or if there’s another tool that would do it on Win2k8 x64. I’m doing this as part of an encoding process after a user uploads a video or audio file.
I’m using ColdFusion 10 to handle the upload and calling cfexecute to run ffmpeg.
I need the image to look something like this (without the horizontal lines) :
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Inside WebM Technology : VP8 Intra and Inter Prediction
20 juillet 2010, par noreply@blogger.com (Lou Quillio)Continuing our series on WebM technology, I will discuss the use of prediction methods in the VP8 video codec, with special attention to the TM_PRED and SPLITMV modes, which are unique to VP8.First, some background. To encode a video frame, block-based codecs such as VP8 first divide the frame into smaller segments called macroblocks. Within each macroblock, the encoder can predict redundant motion and color information based on previously processed blocks. The redundant data can be subtracted from the block, resulting in more efficient compression.
Image by Fido Factor, licensed under Creative Commons Attribution License.
Based on a work at www.flickr.comA VP8 encoder uses two classes of prediction :- Intra prediction uses data within a single video frame
- Inter prediction uses data from previously encoded frames
The residual signal data is then encoded using other techniques, such as transform coding.VP8 Intra Prediction ModesVP8 intra prediction modes are used with three types of macroblocks :- 4x4 luma
- 16x16 luma
- 8x8 chroma
Four common intra prediction modes are shared by these macroblocks :- H_PRED (horizontal prediction). Fills each column of the block with a copy of the left column, L.
- V_PRED (vertical prediction). Fills each row of the block with a copy of the above row, A.
- DC_PRED (DC prediction). Fills the block with a single value using the average of the pixels in the row above A and the column to the left of L.
- TM_PRED (TrueMotion prediction). A mode that gets its name from a compression technique developed by On2 Technologies. In addition to the row A and column L, TM_PRED uses the pixel P above and to the left of the block. Horizontal differences between pixels in A (starting from P) are propagated using the pixels from L to start each row.
For 4x4 luma blocks, there are six additional intra modes similar to V_PRED and H_PRED, but correspond to predicting pixels in different directions. These modes are outside the scope of this post, but if you want to learn more see the VP8 Bitstream Guide.As mentioned above, the TM_PRED mode is unique to VP8. The following figure uses an example 4x4 block of pixels to illustrate how the TM_PRED mode works :Where C, As and Ls represent reconstructed pixel values from previously coded blocks, and X00 through X33 represent predicted values for the current block. TM_PRED uses the following equation to calculate Xij :Xij = Li + Aj - C (i, j=0, 1, 2, 3)Although the above example uses a 4x4 block, the TM_PRED mode for 8x8 and 16x16 blocks works in the same fashion.TM_PRED is one of the more frequently used intra prediction modes in VP8, and for common video sequences it is typically used by 20% to 45% of all blocks that are intra coded. Overall, together with other intra prediction modes, TM_PRED helps VP8 to achieve very good compression efficiency, especially for key frames, which can only use intra modes (key frames by their very nature cannot refer to previously encoded frames).VP8 Inter Prediction ModesIn VP8, inter prediction modes are used only on inter frames (non-key frames). For any VP8 inter frame, there are typically three previously coded reference frames that can be used for prediction. A typical inter prediction block is constructed using a motion vector to copy a block from one of the three frames. The motion vector points to the location of a pixel block to be copied. In most video compression schemes, a good portion of the bits are spent on encoding motion vectors ; the portion can be especially large for video encoded at lower datarates.Like previous VPx codecs, VP8 encodes motion vectors very efficiently by reusing vectors from neighboring macroblocks (a macroblock includes one 16x16 luma block and two 8x8 chroma blocks). VP8 uses a similar strategy in the overall design of inter prediction modes. For example, the prediction modes "NEAREST" and "NEAR" make use of last and second-to-last, non-zero motion vectors from neighboring macroblocks. These inter prediction modes can be used in combination with any of the three different reference frames.In addition, VP8 has a very sophisticated, flexible inter prediction mode called SPLITMV. This mode was designed to enable flexible partitioning of a macroblock into sub-blocks to achieve better inter prediction. SPLITMV is very useful when objects within a macroblock have different motion characteristics. Within a macroblock coded using SPLITMV mode, each sub-block can have its own motion vector. Similar to the strategy of reusing motion vectors at the macroblock level, a sub-block can also use motion vectors from neighboring sub-blocks above or left to the current block. This strategy is very flexible and can effectively encode any shape of sub-macroblock partitioning, and does so efficiently. Here is an example of a macroblock with 16x16 luma pixels that is partitioned to 16 4x4 blocks :where New represents a 4x4 bock coded with a new motion vector, and Left and Above represent a 4x4 block coded using the motion vector from the left and above, respectively. This example effectively partitions the 16x16 macroblock into 3 different segments with 3 different motion vectors (represented below by 1, 2 and 3) :Through effective use of intra and inter prediction modes, WebM encoder implementations can achieve great compression quality on a wide range of source material. If you want to delve further into VP8 prediction modes, read the VP8 Bitstream Guide or examine the reconintra.c and rdopt.c files in the VP8 source tree.Yaowu Xu, Ph.D. is a codec engineer at Google.