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• FFMPEG m3u8 video download from login required site

  30 octobre 2024, par Nirob Saju

  I am trying to download an m3u8 video using FFmpeg from a site that requires login to access the content. When inspecting the Network tab in Chrome DevTools, I see that the response for the /k/timestamp file is encrypted. I have identified some JavaScript files that seem to handle the decryption, and I need help extracting or decoding the AES key used for this encryption.

  


  m3u8 video link :

  


  https://qcdn.spayee.in/spees/w/o/6220ccd30cf263f8af9067d0/v/63e4f548e4b0eefe383262fb/u/66ed03d201d3836b2a2e9a14/t/563072098a6027b88583b67efb5d3662/p/assets/videos/6220ccd30cf263f8af9067d0/2023/02/09/63e4f548e4b0eefe383262fb/hls_500k_.m3u8

  


  ffmpeg error :

  


  [hls @ 0432ea40] Unable to open key file https://qcdn.spayee.in/spees/w/o/6220ccd30cf263f8af9067d0/v/63e4f548e4b0eefe383262fb/u/66ed03d201d3836b2a2e9a14/t/b4a8d7afda4fbc89a2dc30762bc176db/p/assets/videos/6220ccd30cf263f8af9067d0/2023/02/09/63e4f548e4b0eefe383262fb/k/timestamp

  


  k/timestamp encrypted response :

  


  RD�QC+��Kɨi�r|>dnmwK}N !UkqC[66Ye0ZOw ?o6660)]2� !y��jaM�S��

  


  js files :

  


  https://d502jbuhuh9wk.cloudfront.net/static/files/hls.324013256245304581.min.js
https://drive.google.com/file/d/1HBm_ykS7UVSaY6zyF4G1_RJb9IdgA32W/view?usp=sharing

  


  any idea how to successfully download the video ? note : i also try with yt-dlp but not downloading

  


• Precise method of segmenting & transcoding video+audio (via ffmpeg), into an on-demand HLS stream ?

  17 novembre 2019, par Felix

  recently I’ve been messing around with FFMPEG and streams through Nodejs. My ultimate goal is to serve a transcoded video stream - from any input filetype - via HTTP, generated in real-time as it’s needed in segments.

  I’m currently attempting to handle this using HLS. I pre-generate a dummy m3u8 manifest using the known duration of the input video. It contains a bunch of URLs that point to individual constant-duration segments. Then, once the client player starts requesting the individual URLs, I use the requested path to determine which time range of video the client needs. Then I transcode the video and stream that segment back to them.

  Now for the problem : This approach mostly works, but has a small audio bug. Currently, with most test input files, my code produces a video that - while playable - seems to have a very small (< .25 second) audio skip at the start of each segment.

  I think this may be an issue with splitting using time in ffmpeg, where possibly the audio stream cannot be accurately sliced at the exact frame the video is. So far, I’ve been unable to figure out a solution to this problem.

  If anybody has any direction they can steer me - or even a prexisting library/server that solves this use-case - I appreciate the guidance. My knowledge of video encoding is fairly limited.

  I’ll include an example of my relevant current code below, so others can see where I’m stuck. You should be able to run this as a Nodejs Express server, then point any HLS player at localhost:8080/master to load the manifest and begin playback. See the transcode.get('/segment/:seg.ts' line at the end, for the relevant transcoding bit.

  'use strict';
  
  const express = require('express');
  
  const ffmpeg = require('fluent-ffmpeg');
  
  let PORT = 8080;
  
  let HOST = 'localhost';
  
  const transcode = express();
  
  
  
  
  
  /*
  
   * This file demonstrates an Express-based server, which transcodes & streams a video file.
  
   * All transcoding is handled in memory, in chunks, as needed by the player.
  
   *
  
   * It works by generating a fake manifest file for an HLS stream, at the endpoint "/m3u8".
  
   * This manifest contains links to each "segment" video clip, which browser-side HLS players will load as-needed.
  
   *
  
   * The "/segment/:seg.ts" endpoint is the request destination for each clip,
  
   * and uses FFMpeg to generate each segment on-the-fly, based off which segment is requested.
  
   */
  
  
  
  
  
  const pathToMovie = 'C:\\input-file.mp4';  // The input file to stream as HLS.
  
  const segmentDur = 5; //  Controls the duration (in seconds) that the file will be chopped into.
  
  
  
  
  
  const getMetadata = async(file) => {
  
      return new Promise( resolve => {
  
          ffmpeg.ffprobe(file, function(err, metadata) {
  
              console.log(metadata);
  
              resolve(metadata);
  
          });
  
      });
  
  };
  
  
  
  
  
  
  
  // Generate a "master" m3u8 file, which the player should point to:
  
  transcode.get('/master', async(req, res) => {
  
      res.set({"Content-Disposition":"attachment; filename=\"m3u8.m3u8\""});
  
      res.send(`#EXTM3U
  
  #EXT-X-STREAM-INF:BANDWIDTH=150000
  
  /m3u8?num=1
  
  #EXT-X-STREAM-INF:BANDWIDTH=240000
  
  /m3u8?num=2`)
  
  });
  
  
  
  // Generate an m3u8 file to emulate a premade video manifest. Guesses segments based off duration.
  
  transcode.get('/m3u8', async(req, res) => {
  
      let met = await getMetadata(pathToMovie);
  
      let duration = met.format.duration;
  
  
  
      let out = '#EXTM3U\n' +
  
          '#EXT-X-VERSION:3\n' +
  
          `#EXT-X-TARGETDURATION:${segmentDur}\n` +
  
          '#EXT-X-MEDIA-SEQUENCE:0\n' +
  
          '#EXT-X-PLAYLIST-TYPE:VOD\n';
  
  
  
      let splits = Math.max(duration / segmentDur);
  
      for(let i=0; i< splits; i++){
  
          out += `#EXTINF:${segmentDur},\n/segment/${i}.ts\n`;
  
      }
  
      out+='#EXT-X-ENDLIST\n';
  
  
  
      res.set({"Content-Disposition":"attachment; filename=\"m3u8.m3u8\""});
  
      res.send(out);
  
  });
  
  
  
  // Transcode the input video file into segments, using the given segment number as time offset:
  
  transcode.get('/segment/:seg.ts', async(req, res) => {
  
      const segment = req.params.seg;
  
      const time = segment * segmentDur;
  
  
  
      let proc = new ffmpeg({source: pathToMovie})
  
          .seekInput(time)
  
          .duration(segmentDur)
  
          .outputOptions('-preset faster')
  
          .outputOptions('-g 50')
  
          .outputOptions('-profile:v main')
  
          .withAudioCodec('aac')
  
          .outputOptions('-ar 48000')
  
          .withAudioBitrate('155k')
  
          .withVideoBitrate('1000k')
  
          .outputOptions('-c:v h264')
  
          .outputOptions(`-output_ts_offset ${time}`)
  
          .format('mpegts')
  
          .on('error', function(err, st, ste) {
  
              console.log('an error happened:', err, st, ste);
  
          }).on('progress', function(progress) {
  
              console.log(progress);
  
          })
  
          .pipe(res, {end: true});
  
  });
  
  
  
  transcode.listen(PORT, HOST);
  
  console.log(`Running on http://${HOST}:${PORT}`);

• NAB 2010 wrapup

  15 avril 2010

  Another year of NAB has come and gone. Making it out of Vegas with some remaining faith in humanity seems like a successful outcome. So, anything worth talking about at the show ?

  First off, there’s 3d. 3D is The Next Big Thing, and that was obvious to anyone who spent half a second on the show floor. Everything from camera rigs, to post production apps, to display technology was all 3d, all the time. I’m not a huge fan of 3d in most cases, but the industry is at least feigning interest.

  Luckily, at a show as big as NAB, there’s plenty of other cool stuff to see. So, what struck my fancy ?

  First off, Avid and Adobe were showing new versions of Media Composer and Premiere. Both sounded pretty amazing on paper, but I must say I was somewhat underwhelmed by both in reality. Premiere felt a little rough around the edges - the Mercurial Engine wasn’t the sort of next generation tech that I expected. Media Composer 5 has some nice new tweaks, but it’s still rather Avid-y - which is good for Avid people, less interesting for the rest of us.

  In other software news, Blackmagic Design was showing off some of what they’re doing with the DaVinci technology that they acquired. Software-only Da Vinci Resolve for $999 is a pretty amazing deal, and the demos were quite nice. That said, color correction is an art, so just making the technology cheaper isn’t necessarily going to dramatically change the number of folks who do it well - see Color.

  Blackmagic also has a pile of new USB 3.0 hardware devices, including the absolutely gorgeous UltraStudio Pro. Makes me pine for USB 3.0 on the mac.

  On the production side, we saw new cameras from just about everyone. To start at the high end, the Arri Alexa was absolutely stunning. Perhaps the nicest digital cinema footage I’ve seen. Not only that, but they’ve worked out a usable workflow, recording to ProRes plus RAW. At the price point they’re promising, the world is going to get a lot more difficult for RED.

  Sony’s new XDCam EX gear is another good step forward for that format. Nothing groundbreaking, but another nice progression. I was kind of hoping we’d see 4:2:2 EX gear from them, but I suppose they need to justify the disc based formats for a while longer.

  The Panasonic AG-AF100 is another interesting camera, bringing micro 4/3rds into video. The only strange thing is the recording side - AVCHD to SD cards. While I’m thrilled to see them using SD instead of P2, it sure would have been nice to have an AVCIntra option.

  Finally, Canon’s 4:2:2 XF cams are a nice option for the ENG/EFP market. Nothing groundbreaking, aside from the extra color sampling, but it’s a nice step up from what they’ve been doing.

  Speaking of Canon, it’s interesting to see the ways that the 5d and 7d have made their way into mainstream filmmaking. At one point, I thought they’d be relegated to the indie community - folks looking for nice DoF on a budget. Instead, they seem to have been adopted by a huge range of productions, from episodic TV to features. While they’re not right for everyone, the price and quality make them an easy choice in many cases.

  One of the stars of the show for me was the GoPro, a small waterproof HD camera that ships with a variety of mounts, designed to be used in places where you couldn’t or wouldn’t use a more full featured camera. No LCD, just a record button and a wide angle lens. I bought two.

  Those are the things that stand out for me. While there was plenty of interesting stuff to be seen, given the current economic conditions at the University, I wasn’t exactly in a shopping mindset. The show definitely felt more optimistic than it did last year, and companies are again pushing out new products. However, attendances was about 20% lower than 2008, and that was definitely noticeable on the show floor.