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  • Les formats acceptés

    28 janvier 2010, par

    Les commandes suivantes permettent d’avoir des informations sur les formats et codecs gérés par l’installation local de ffmpeg :
    ffmpeg -codecs ffmpeg -formats
    Les format videos acceptés en entrée
    Cette liste est non exhaustive, elle met en exergue les principaux formats utilisés : h264 : H.264 / AVC / MPEG-4 AVC / MPEG-4 part 10 m4v : raw MPEG-4 video format flv : Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Theora wmv :
    Les formats vidéos de sortie possibles
    Dans un premier temps on (...)

  • Des sites réalisés avec MediaSPIP

    2 mai 2011, par

    Cette page présente quelques-uns des sites fonctionnant sous MediaSPIP.
    Vous pouvez bien entendu ajouter le votre grâce au formulaire en bas de page.

  • HTML5 audio and video support

    13 avril 2011, par

    MediaSPIP uses HTML5 video and audio tags to play multimedia files, taking advantage of the latest W3C innovations supported by modern browsers.
    The MediaSPIP player used has been created specifically for MediaSPIP and can be easily adapted to fit in with a specific theme.
    For older browsers the Flowplayer flash fallback is used.
    MediaSPIP allows for media playback on major mobile platforms with the above (...)

Sur d’autres sites (3017)

  • H.264 to DNxHR 444 issue. Colors are not transcoded correctly (HDR project). Note : issue not solved yet

    22 janvier 2020, par Raulo1985

    I’m having an issue transcoding a H.264 UHD HDR file to a DNxHR file in a mxf container with FFmpeg. The issue is that both files don’t look the same at all, the colors look washed out on the DNxHR video, and I tried to make the transcoding as lossless as possible (DNxHR 444 flavor). The original file is a movie I ripped a while ago, H.264, UHD, HDR, in a mkv container.

    My goal : to create an almost lossless DNxHR file to use it as source file in Adobe Premiere Pro, and use another DNxHR file with less quality as proxy for editing. I wanted to do it that way and not use the original H.264 as the source file because it’s out of sync with the proxy file (I mean, when I toggle the proxy icon on and off, you can tell that there’s a short delay between them, which defeats all purposes for editing). My guess is that it may be because H.264 is compressed and DNxHR isn’t, and since I edit making a lot of fast cuts, I need both the source file and the proxy file to be as synced as possible. When the source file and the proxy file are both DNxHR, no matter the flavor, they are perfectly synced. I don’t want to go with Prores for the proxies, because the sync problem is a lot worse (several seconds of delay between files), maybe because it’s a VBR codec and my original file and DNxHR are CBR (for the record, I always prefer CBR).

    Well, the thing is that when I import the original H.264 file to Premiere Pro, use a DNxHR proxy, edit a little, and export it directly from the original file (H.264 10 bits, with all the settings required for HDR output enabled) the colors look as they should. When I do the same with the high quality DNxHR as source file, with the exact same export settings, the colors look washed out. The same with any DNxHR flavor.

    Then I opened both files (original H.264 and high quality DNxHR transcoded from the H.264 one) with VLC, and I also can tell that the mxf file looks washed out and the H.264 file doesn’t. So it’s not an export issue on Premiere’ side, it’s something that has to do with the original transcoding.

    I understand that DNxHR 444 is as lossless as you can get with that codec, preserving all the HDR required data, and I believe that the mfx container has some advantages over MOV, which is the other container that supports DNxHD/DNxHR. So I don’t know what’s happening really.

    The command I used was :

    ffmpeg -channel_layout 63 -i input.mkv -map 0:0 -c:v dnxhd -vf "scale=in_range=limited:out_range=full" -color_range 2 -profile:v dnxhr_444 -pix_fmt yuv444p10le -acodec pcm_s24le -ar 48000 -ac 6 -channel_layout 63 -map 0:2 -hide_banner output.mxf

    Like I said, after the transcoding, both video files look a lot different from each other, color wise. And after using them in Premiere and exporting with the exact same settings, the output files suffer from the same difference.

    Mediainfo shows the expected data for both files :
    - 10 bits, main 10, level 5, 4:2:0, CBR, BT.2020 for the original h.264 file.
    - 10 bits, 4:4:4, CBR for the DNxHR 444 file.

    One thing I noticed in Mediainfo is that both have YUV as color space, but the DNxHR 444 video has an extra field that says ColorSpace_Original : RGB. Honestly, I don’t know what that means, since the original is YUV. Color range is fine, from 0 to 1023 (and chroma range 1023). The other thing is that it says "limited" on the color range field of the H.264 file, but I’ve read that that could be a bug or missinterpretation of the file by Mediainfo.

    Well, that’s it, any help would be appreciated. I’d really like to edit with DNxHR 444 as source file and DNxHR LB for the proxies, so I can edit in a fast pace and without sync issues, but the color is just not acceptable. And I do understand that I’m adding an extra transcoding step (from original to DNxHR), but the sync issue between the original and the DNxHR proxies, even though it may be a delay of a fraction of a second, makes my workflow a lot harder since I’ll have to export many times to see if the cuts are made exactly where I want them to be. Not ideal by any means. And Prores is not an option apparently, the sync issue is a lot worse. For me, it all comes down to being able to get a DNxHR 444 file that looks, well, as close to lossless as it can be, and that goal obviously involves the colors.

    Thanks in advance.

    PS : file size is not an issue for me, so having an entire UHD HDR movie transcoded to DNxHR 444 is not a problem.

    PS2 : I tried with a different chroma subsampling (like DNxHR HQX 10 bits, which is 4:2:2), same result. Haven´t tried with 8 bits yet, but I don’t see the point since this is a HDR project.

    UPDATE :

    I tried to transcode from the H.264 source file to a DNxHR video file in a MXF container using Adobe Media Encoder instead of FFmpeg, and the colors are not transcoded correctly again, but this time they seem to be over saturated instead of washed out. Adobe Media Encoder doesn’t give much room for tweaking, but I made sure to select 444 10 bits profile, same resolution (UHD), same frame rate and render with maximum quality and maximum bit depth. FFprobe output of the resulting file again shows BT709 as the color space (the same thing happens with the output file after transcoding using FFmpeg). Seems to be something not related to FFmpeg, apparently. Any ideas ? It’s like there’s no way I can transcode and retain the colors correctly from H.264 to DNxHR, even using its most high quality flavor and correct command settings (at least they look ok to me). How can I post this so maybe developers or people with lots of experience here can give us a clue to what’s happening ? Thanks.

    PS : More potentially useful info on the comments below.

    EXTRA INFO :

    1) FFprobe output of the MXF DNxHR file (this one is 4:2:2, the only difference with the command used compared to the one stated on the OP is -pix_fmt yuv444p10le being -pix_fmt yuv422p10le) :

     libavutil      56. 31.100 / 56. 31.100
     libavcodec     58. 54.100 / 58. 54.100
     libavformat    58. 29.100 / 58. 29.100
     libavdevice    58.  8.100 / 58.  8.100
     libavfilter     7. 57.100 /  7. 57.100
     libswscale      5.  5.100 /  5.  5.100
     libswresample   3.  5.100 /  3.  5.100
     libpostproc    55.  5.100 / 55.  5.100
    [mxf @ 000001f4d17fbac0] Stream #0: not enough frames to estimate rate; consider increasing probesize
    Input #0, mxf, from 'Interstellar_Master_DNxHR_444_UHD_422_PCM24_5.1.mxf':
     Metadata:
       operational_pattern_ul: 060e2b34.04010101.0d010201.01010900
       uid             : adab4424-2f25-4dc7-92ff-29bd000c0000
       generation_uid  : adab4424-2f25-4dc7-92ff-29bd000c0001
       company_name    : FFmpeg
       product_name    : OP1a Muxer
       product_version : 58.29.100
       product_uid     : adab4424-2f25-4dc7-92ff-29bd000c0002
       material_package_umid: 0x060A2B340101010501010D001393EE79529471348D93EE7900529471348D9300
       timecode        : 00:00:00:00
     Duration: 02:49:03.97, start: 0.000000, bitrate: 1404833 kb/s
       Stream #0:0: Video: dnxhd (DNXHR 444), yuv444p10le(bt709/unknown/unknown, progressive), 3840x2160, SAR 1:1 DAR 16:9, 23.98 tbr, 23.98 tbn, 23.98 tbc
       Metadata:
         file_package_umid: 0x060A2B340101010501010D001393EE79529471348D93EE7900529471348D9301
       Stream #0:1: Audio: pcm_s24le, 48000 Hz, 6 channels, s32 (24 bit), 6912 kb/s
       Metadata:
         file_package_umid: 0x060A2B340101010501010D001393EE79529471348D93EE7900529471348D9301

    2) FFprobe output of the MP4 H.264 source file (this one is 4:2:0, 10 bits, HDR) :

       Stream #0:0(eng): Video: hevc (Main 10) (hev1 / 0x31766568), yuv420p10le(tv, bt2020nc/bt2020/smpte2084), 3840x2160 [SAR 1:1 DAR 16:9], 15584 kb/s, 23.98 fps, 23.98 tbr, 16k tbn, 23.98 tbc (default)
       Metadata:
         handler_name    : VideoHandler
       Stream #0:1(eng): Audio: ac3 (ac-3 / 0x332D6361), 48000 Hz, 5.1(side), fltp, 640 kb/s (default)
       Metadata:
         handler_name    : SoundHandler
       Side data:
         audio service type: main
       Stream #0:2(eng): Data: bin_data (text / 0x74786574)
       Metadata:
         handler_name    : SubtitleHandler
    Unsupported codec with id 100359 for input stream 2
  • How to comvert MOV to MP4 with metadata [closed]

    11 janvier 2020, par Nadav Rosenberg

    I’m trying to convert mov videos from iphone to mp4 videos but I want to save the metadata.
    I had tried some options but ffmpeg for android seems the best.

    Does any one have some kind of a template that I can just implement it ?
    I don’t have a clue how to write in ffmpeg ..

    [screenshot from the app][1]

    [another screenshot from the app][2]

    log (the input is different then in the screenshot) :

    ffmpeg -y -i "/storage/9C33-6BBD/DCIM/עינב/IMG_5267.MOV" -c:v libx265 -q:v 5 -c:a aac -ab 128k -ar 44100 "/storage/emulated/0/FFMPEG/IMG_5267.mp4"

    ffmpeg version 4.2.1 Copyright (c) 2000-2019 the FFmpeg developers
     built with gcc 4.9.x (GCC) 20150123 (prerelease)
     configuration: --enable-version3 --enable-gpl --enable-nonfree --disable-indev=v4l2 --enable-libmp3lame --enable-libx264 --enable-libx265 --enable-libvpx --enable-libvorbis --enable-libtheora --enable-libopus --enable-libfdk-aac --enable-libfreetype --enable-libass --enable-libfribidi --enable-fontconfig --enable-pthreads --enable-libxvid --enable-filters --enable-openssl --enable-librtmp --disable-protocol='udp,udplite' --enable-libopencore-amrwb --enable-libopencore-amrnb --enable-libvo-amrwbenc --enable-libspeex --enable-libsoxr --enable-libwavpack --enable-libwebp --enable-libxml2 --enable-libopenh264 --enable-mediacodec --enable-jni --prefix=/home/silentlexx/AndroidstudioProjects/ffmpeg/ffmpeg/build/arm64-api21-r13b --sysroot=/home/silentlexx/Android/android-ndk-r13b/platforms/android-21/arch-arm64 --arch=arm64 --disable-shared --enable-static --enable-pic --enable-ffmpeg --disable-ffplay --disable-ffprobe --disable-ffnvcodec --disable-avdevice --disable-debug --disable-doc --disable-htmlpages --disable-manpages --disable-podpages --disable-txtpages --disable-symver --cross-prefix=/home/silentlexx/Android/android-ndk-r13b/toolchains/aarch64-linux-android-4.9/prebuilt/linux-x86_64/bin/aarch64-linux-android- --target-os=android --enable-cross-compile --pkg-config-flags=--static --extra-libs='-lgnustl_static -lm -lpng -l:libz.so -lpthread' --enable-asm --enable-neon --enable-libxavs2 --disable-runtime-cpudetect --enable-small
     libavutil      56. 31.100 / 56. 31.100
     libavcodec     58. 54.100 / 58. 54.100
     libavformat    58. 29.100 / 58. 29.100
     libavfilter     7. 57.100 /  7. 57.100
     libswscale      5.  5.100 /  5.  5.100
     libswresample   3.  5.100 /  3.  5.100
     libpostproc    55.  5.100 / 55.  5.100
    Input #0, mov,mp4,m4a,3gp,3g2,mj2, from '/storage/9C33-6BBD/DCIM/עינב/IMG_5267.MOV':
     Metadata:
       major_brand     : qt  
       minor_version   : 0
       compatible_brands: qt  
       creation_time   : 2020-01-04T10:43:12.000000Z
       com.apple.quicktime.make: Apple
       com.apple.quicktime.model: iPhone 8 Plus
       com.apple.quicktime.software: 12.4.1
       com.apple.quicktime.creationdate: 2020-01-03T22:09:55+0200
       com.apple.photos.originating.signature: AXIrrckzUSuTNLamJ909jOgUZ8Mr
     Duration: 00:00:17.40, start: 0.000000, bitrate: 17343 kb/s
       Stream #0:0(und): Video: h264 (avc1 / 0x31637661), yuv420p(tv, bt709), 1920x1080, 16511 kb/s, 30.01 fps, 30 tbr, 600 tbn, 1200 tbc (default)
       Metadata:
         creation_time   : 2020-01-04T10:43:12.000000Z
         handler_name    : Core Media Video
         encoder         : H.264
       Stream #0:1(und): Audio: aac (mp4a / 0x6134706D), 44100 Hz, mono, fltp, 101 kb/s (default)
       Metadata:
         creation_time   : 2020-01-04T10:43:12.000000Z
         handler_name    : Core Media Audio
       Stream #0:2(und): Data: none (mebx / 0x7862656D), 33 kb/s (default)
       Metadata:
         creation_time   : 2020-01-04T10:43:12.000000Z
         handler_name    : Core Media Metadata
       Stream #0:3(und): Data: none (mebx / 0x7862656D), 0 kb/s (default)
       Metadata:
         creation_time   : 2020-01-04T10:43:12.000000Z
         handler_name    : Core Media Metadata
    Stream mapping:
     Stream #0:0 -> #0:0 (h264 (native) -> hevc (libx265))
     Stream #0:1 -> #0:1 (aac (native) -> aac (native))
    Press [q] to stop, [?] for help
    x265 [info]: HEVC encoder version 3.1×de920e0a3183
    x265 [info]: build info [Linux][GCC 4.9.0][32 bit][noasm] 8bit
    x265 [info]: using cpu capabilities: none!
    x265 [info]: Main profile, Level-4 (Main tier)
    x265 [info]: Thread pool created using 8 threads
    x265 [info]: Slices                              : 1
    x265 [info]: frame threads / pool features       : 3 / wpp(17 rows)
    x265 [info]: Coding QT: max CU size, min CU size : 64 / 8
    x265 [info]: Residual QT: max TU size, max depth : 32 / 1 inter / 1 intra
    x265 [info]: ME / range / subpel / merge         : hex / 57 / 2 / 3
    x265 [info]: Keyframe min / max / scenecut / bias: 25 / 250 / 40 / 5.00
    x265 [info]: Lookahead / bframes / badapt        : 20 / 4 / 2
    x265 [info]: b-pyramid / weightp / weightb       : 1 / 1 / 0
    x265 [info]: References / ref-limit  cu / depth  : 3 / off / on
    x265 [info]: AQ: mode / str / qg-size / cu-tree  : 2 / 1.0 / 32 / 1
    x265 [info]: Rate Control / qCompress            : CRF-28.0 / 0.60
    x265 [info]: tools: rd=3 psy-rd=2.00 early-skip rskip signhide tmvp b-intra
    x265 [info]: tools: strong-intra-smoothing lslices=6 deblock sao
    Output #0, mp4, to '/storage/emulated/0/FFMPEG/IMG_5267.mp4':
     Metadata:
       major_brand     : qt  
       minor_version   : 0
       compatible_brands: qt  
       com.apple.photos.originating.signature: AXIrrckzUSuTNLamJ909jOgUZ8Mr
       com.apple.quicktime.make: Apple
       com.apple.quicktime.model: iPhone 8 Plus
       com.apple.quicktime.software: 12.4.1
       com.apple.quicktime.creationdate: 2020-01-03T22:09:55+0200
       encoder         : Lavf58.29.100
       Stream #0:0(und): Video: hevc (libx265) (hev1 / 0x31766568), yuv420p, 1920x1080, q=2-31, 30 fps, 15360 tbn, 30 tbc (default)
       Metadata:
         creation_time   : 2020-01-04T10:43:12.000000Z
         handler_name    : Core Media Video
         encoder         : Lavc58.54.100 libx265
       Side data:
         cpb: bitrate max/min/avg: 0/0/0 buffer size: 0 vbv_delay: -1
       Stream #0:1(und): Audio: aac (mp4a / 0x6134706D), 44100 Hz, mono, fltp, 128 kb/s (default)
       Metadata:
         creation_time   : 2020-01-04T10:43:12.000000Z
         handler_name    : Core Media Audio
         encoder         : Lavc58.54.100 aac
    frame=   27 fps= 13 q=0.0 size=       0kB time=00:00:02.08 bitrate=   0.2kbits/s speed=1.02x    
    frame=   30 fps=9.1 q=-0.0 size=       0kB time=00:00:02.18 bitrate=   0.2kbits/s speed=0.665x    
    frame=   31 fps=8.1 q=-0.0 size=       0kB time=00:00:02.22 bitrate=   0.2kbits/s speed=0.581x    
    frame=   32 fps=7.3 q=-0.0 size=       0kB time=00:00:02.25 bitrate=   0.2kbits/s speed=0.511x    
    frame=   33 fps=5.9 q=-0.0 size=       0kB time=00:00:02.29 bitrate=   0.2kbits/s speed=0.409x    
    frame=   36 fps=5.4 q=-0.0 size=       0kB time=00:00:02.39 bitrate=   0.1kbits/s speed=0.359x    
    frame=   37 fps=5.0 q=-0.0 size=       0kB time=00:00:02.41 bitrate=   0.1kbits/s speed=0.324x    
    frame=   40 fps=4.5 q=-0.0 size=       0kB time=00:00:02.53 bitrate=   0.1kbits/s speed=0.287x    
    frame=   43 fps=4.3 q=-0.0 size=       0kB time=00:00:02.62 bitrate=   0.1kbits/s speed=0.265x    
    frame=   44 fps=4.1 q=-0.0 size=       0kB time=00:00:02.64 bitrate=   0.1kbits/s speed=0.248x    
    frame=   45 fps=3.9 q=-0.0 size=       0kB time=00:00:02.69 bitrate=   0.1kbits/s speed=0.231x    
    frame=   48 fps=3.7 q=-0.0 size=       0kB time=00:00:02.78 bitrate=   0.1kbits/s speed=0.217x    
    frame=   50 fps=3.7 q=-0.0 size=       0kB time=00:00:02.85 bitrate=   0.1kbits/s speed=0.214x    
    frame=   51 fps=3.4 q=-0.0 size=       0kB time=00:00:02.87 bitrate=   0.1kbits/s speed=0.195x    
    frame=   54 fps=3.2 q=-0.0 size=     256kB time=00:00:02.99 bitrate= 700.2kbits/s speed=0.18x    
    frame=   57 fps=3.2 q=-0.0 size=     256kB time=00:00:03.08 bitrate= 679.2kbits/s speed=0.174x    
    frame=   58 fps=3.1 q=-0.0 size=     256kB time=00:00:03.11 bitrate= 674.1kbits/s speed=0.169x    
    frame=   59 fps=3.1 q=-0.0 size=     256kB time=00:00:03.15 bitrate= 664.2kbits/s speed=0.165x    
    frame=   61 fps=3.0 q=-0.0 size=     256kB time=00:00:03.22 bitrate= 649.9kbits/s speed=0.161x    
    frame=   62 fps=3.0 q=-0.0 size=     256kB time=00:00:03.25 bitrate= 645.2kbits/s speed=0.157x    
    frame=   63 fps=2.9 q=-0.0 size=     256kB time=00:00:03.29 bitrate= 636.1kbits/s speed=0.152x    
    frame=   65 fps=2.9 q=-0.0 size=     256kB time=00:00:03.34 bitrate= 627.3kbits/s speed=0.149x    
    frame=   66 fps=2.9 q=-0.0 size=     256kB time=00:00:03.39 bitrate= 618.7kbits/s speed=0.147x    
    frame=   68 fps=2.9 q=-0.0 size=     256kB time=00:00:03.45 bitrate= 606.3kbits/s speed=0.146x    
    frame=   69 fps=2.8 q=-0.0 size=     256kB time=00:00:03.48 bitrate= 602.2kbits/s speed=0.142x    
    frame=   70 fps=2.8 q=-0.0 size=     256kB time=00:00:03.52 bitrate= 594.3kbits/s speed=0.14x    
    frame=   72 fps=2.8 q=-0.0 size=     256kB time=00:00:03.59 bitrate= 582.8kbits/s speed=0.14x    
    frame=   73 fps=2.8 q=-0.0 size=     256kB time=00:00:03.62 bitrate= 579.1kbits/s speed=0.136x    
    frame=   74 fps=2.7 q=-0.0 size=     256kB time=00:00:03.64 bitrate= 575.4kbits/s speed=0.134x    
    frame=   76 fps=2.7 q=-0.0 size=     256kB time=00:00:03.71 bitrate= 564.6kbits/s speed=0.132x    
    frame=   77 fps=2.7 q=-0.0 size=     256kB time=00:00:03.76 bitrate= 557.6kbits/s speed=0.13x    
    frame=   79 fps=2.7 q=-0.0 size=     256kB time=00:00:03.83 bitrate= 547.5kbits/s speed=0.131x    
    frame=   80 fps=2.7 q=-0.0 size=     512kB time=00:00:03.85 bitrate=1088.2kbits/s speed=0.129x    
    frame=   82 fps=2.6 q=-0.0 size=     512kB time=00:00:03.92 bitrate=1068.9kbits/s speed=0.127x    
    frame=   83 fps=2.6 q=-0.0 size=     512kB time=00:00:03.94 bitrate=1062.6kbits/s speed=0.125x    
    frame=   84 fps=2.6 q=-0.0 size=     512kB time=00:00:03.99 bitrate=1050.3kbits/s speed=0.124x    
    frame=   87 fps=2.6 q=-0.0 size=     512kB time=00:00:04.08 bitrate=1026.4kbits/s speed=0.122x    
    frame=   89 fps=2.6 q=-0.0 size=     512kB time=00:00:04.15 bitrate=1009.2kbits/s speed=0.12x    
    frame=   90 fps=2.6 q=-0.0 size=     512kB time=00:00:04.17 bitrate=1003.6kbits/s speed=0.119x    
    frame=   92 fps=2.6 q=-0.0 size=     512kB time=00:00:04.24 bitrate= 987.2kbits/s speed=0.119x    
    frame=   93 fps=2.5 q=-0.0 size=     512kB time=00:00:04.29 bitrate= 976.5kbits/s speed=0.118x    
    frame=   94 fps=2.5 q=-0.0 size=     512kB time=00:00:04.31 bitrate= 971.2kbits/s speed=0.116x    
    frame=   96 fps=2.5 q=-0.0 size=     512kB time=00:00:04.38 bitrate= 955.8kbits/s speed=0.116x    
    frame=   97 fps=2.5 q=-0.0 size=     512kB time=00:00:04.41 bitrate= 950.8kbits/s speed=0.115x    
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    frame=  266 fps=2.2 q=-0.0 size=    1792kB time=00:00:1
  • Date and segment comparison feature

    31 octobre 2019, par Matomo Core Team — Analytics Tips, Development

    Get a clearer picture with the date and segment comparison feature

    What can you do with it ? What are the benefits ?

    Make informed decisions faster by easily comparing different segments and dates with each other.

    Compare report data for multiple segments next to each other

    Segment comparison feature

    Directly compare the behaviour of visitors from different segments e.g. customers with accounts vs. customers without accounts. Segment comparisons are a powerful way to compare different audience ; learn which ones perform better ; and in what way their actions differ. 

    Compare report data for two time periods next to each other

    Comparing date ranges

    See how your website performs compared to the previous month/week/year. Including seeing trends over those periods. Say, your business always picks up at the same times within a year, or there’s a sag in business for every user segment over this year and the last except one.

    By being able to compare date ranges you are able to get a quick overview of trends and period to period performance. Has a campaign worked better in September than in October ? Get an instant look by having the side-by-side comparison in Matomo.

    What is it capable of ?

    It lets you ask the question, “What is different ?”

    If you look at reports you’ll only see how people behave overall and if you look at specific segments you’ll see how they behave at face value, however, if you compare data together you’ll be quickly informed on what makes them unique. This data is still there when you don’t use the comparison feature, it’s just buried. Comparing data highlights discrepancies and leads to important questions and answers.

    For example, perhaps some class of users have very low engagement on a specific day compared to the rest of your visitors, and perhaps those users are responsible for an outsized proportion of churn. 

    Who could benefit from it, and why ?

    Everyone can benefit from using it (and probably should use it). It’s yours to experiment with ! You shouldn’t feel restricted to only comparing between the current and last period, or having questions before you start comparing. Follow your instincts and see what pops out when data from different segments is laid out next to each other.

    Where can you find it in Matomo ?

    • Segment comparison is activated by the new icon in the segment selector
    Segment comparison feature
    • Date comparison can be found in the calendar section of Matomo
    Date comparison feature
    • The list of active comparisons is visible at the top of the page for all pages that support comparison
    • Comparisons are visible in every report that supports comparing data, and reports that do not support it will display a message saying so

    How do you use it ?

    • To compare segments, click the icon in the segment selector
    • To compare periods, click the ‘compare’ checkbox in the period selector, then select what period you want to compare it against in the dropdown (previous period, previous year, or a custom range)
    • When comparisons are active, view your reports as normal

    Take it away !

    The comparison feature is a new tool from Matomo 3.12.0 that highlights discrepancies and differences in data that can lead to more clarity and understanding, so we’d encourage everyone to use it. 

    Try it out today in your Matomo and see the power behind this new data comparison mode !