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• Bash : sort find results using part of a filename

  13 novembre 2015, par utt50

  I have 3 webcams set up in a building, uploading still images to a webserver. I’m using ffmpeg to encode the jpgs to mp4 video.

  The directories are set up like this :

  Cam1/201504
  
  Cam1/201505
  
  Cam2/201504
  
  Cam2/201505
  
  Cam3/201504
  
  Cam3/201505

  I’m using the following bash loop/ffmpeg parameters to make one video per camera, per year. This works well so far (well... except that my SSD is rapidly degrading in performance - too many simultaneous read/write operations ?) :

  find Cam2/2013* -name "*.jpg" -print0 | xargs -0 cat | ffmpeg -f image2pipe -framerate 30 -vcodec mjpeg -i - -vcodec libx264 -profile:v baseline -level 3.0 -movflags +faststart -crf 19 -pix_fmt yuv420p -r 30 "Cam2-2013-30fps-19crf.mp4"

  The individual files are named like this (confusing ffmpeg’s built-in file sequencer) :

  Cam1_2015052413543201.jpg
  
  Cam1_2015052413544601.jpg
  
  Cam2_2015052413032601.jpg
  
  Cam2_2015052413544901.jpg

  I now need to create one video for an entire year across all 3 cameras, ordered by timestamp. To accomplish this, I need to sort the find results by the segment of the filename after the underscore.

  What do I pipe the find output to to accomplish this ? For example, the files above would be ordered like this :

  Cam2_2015052413032601.jpg
  
  Cam1_2015052413543201.jpg
  
  Cam1_2015052413544601.jpg
  
  Cam2_2015052413544901.jpg

  Any help is very much appreciated !

• Matomo NAMED 2023 Hi-Tech Awards finalist

  1er août 2023, par Lance — Press Releases

  WELLINGTON, N.Z., April 20, 2023 – InnoCraft, the makers of world-leading open-source web analytics platform Matomo, has been named an ASX Hi-Tech Emerging Company of the Year finalist in the 2023 Hi-Tech Awards. 



  Matomo founder Matthieu Aubry says, “At Matomo, we believe in empowering individuals and organizations to make informed decisions about their digital presence. By providing an open-source website analytics platform, we have created a more transparent and trustworthy digital ecosystem. We are proud to be recognised as a finalist for the Hi-Tech Awards, and we will continue to work towards a more open and ethical digital landscape, and grow the business in New Zealand and worldwide.”



  About Matomo

  Matomo, launched in 2007 as an open-source, privacy-friendly Google Analytics alternative, is trusted by over 1.5 million websites in 220 countries and has been translated in over 50 languages. Matomo tracks and analyses online visits and traffic to give users a deeper understanding of their website visitors to drive conversions and revenue ; while keeping businesses compliant with privacy laws worldwide, such as the EU’s General Data Protection Regulation (GDPR) and The California Consumer Privacy Act (CCPA).

  Aubry says Matomo is performing extremely well internationally as consumers and organizations look for privacy-focused analytics solutions, with several European countries already ruling the use of Google Analytics illegal due to data transfers to the US. In addition, Matomo’s user increase was recognized earlier this year with W3Tech’s award for the best web analytics software in its Web Technologies of the Year 2022 – with previous winners including Google Analytics and Facebook Pixel.



  A record number of companies entered the 2023 Hi-Tech Awards, with entries coming in from across the country and from all areas of the Hi-Tech sector. This depth is reflected in the line-up of finalists this year, according to David Downs, Chair of the Hi-Tech Trust, who says the standard of entries continue to grow every year.

”

  The hi-tech sector continues to flourish and it’s fantastic to see the success that so many of our companies enjoy on the international stage. This sector continues to prove its resilience and is at the forefront of our export economy in turbulent times,” says Downs.



  The Hi-Tech Awards Gala Dinner will take place on Friday, the 23rd of June, in Christchurch. 


   

• NAB 2010 wrapup

  15 avril 2010

  Another year of NAB has come and gone. Making it out of Vegas with some remaining faith in humanity seems like a successful outcome. So, anything worth talking about at the show ?

  First off, there’s 3d. 3D is The Next Big Thing, and that was obvious to anyone who spent half a second on the show floor. Everything from camera rigs, to post production apps, to display technology was all 3d, all the time. I’m not a huge fan of 3d in most cases, but the industry is at least feigning interest.

  Luckily, at a show as big as NAB, there’s plenty of other cool stuff to see. So, what struck my fancy ?

  First off, Avid and Adobe were showing new versions of Media Composer and Premiere. Both sounded pretty amazing on paper, but I must say I was somewhat underwhelmed by both in reality. Premiere felt a little rough around the edges - the Mercurial Engine wasn’t the sort of next generation tech that I expected. Media Composer 5 has some nice new tweaks, but it’s still rather Avid-y - which is good for Avid people, less interesting for the rest of us.

  In other software news, Blackmagic Design was showing off some of what they’re doing with the DaVinci technology that they acquired. Software-only Da Vinci Resolve for $999 is a pretty amazing deal, and the demos were quite nice. That said, color correction is an art, so just making the technology cheaper isn’t necessarily going to dramatically change the number of folks who do it well - see Color.

  Blackmagic also has a pile of new USB 3.0 hardware devices, including the absolutely gorgeous UltraStudio Pro. Makes me pine for USB 3.0 on the mac.

  On the production side, we saw new cameras from just about everyone. To start at the high end, the Arri Alexa was absolutely stunning. Perhaps the nicest digital cinema footage I’ve seen. Not only that, but they’ve worked out a usable workflow, recording to ProRes plus RAW. At the price point they’re promising, the world is going to get a lot more difficult for RED.

  Sony’s new XDCam EX gear is another good step forward for that format. Nothing groundbreaking, but another nice progression. I was kind of hoping we’d see 4:2:2 EX gear from them, but I suppose they need to justify the disc based formats for a while longer.

  The Panasonic AG-AF100 is another interesting camera, bringing micro 4/3rds into video. The only strange thing is the recording side - AVCHD to SD cards. While I’m thrilled to see them using SD instead of P2, it sure would have been nice to have an AVCIntra option.

  Finally, Canon’s 4:2:2 XF cams are a nice option for the ENG/EFP market. Nothing groundbreaking, aside from the extra color sampling, but it’s a nice step up from what they’ve been doing.

  Speaking of Canon, it’s interesting to see the ways that the 5d and 7d have made their way into mainstream filmmaking. At one point, I thought they’d be relegated to the indie community - folks looking for nice DoF on a budget. Instead, they seem to have been adopted by a huge range of productions, from episodic TV to features. While they’re not right for everyone, the price and quality make them an easy choice in many cases.

  One of the stars of the show for me was the GoPro, a small waterproof HD camera that ships with a variety of mounts, designed to be used in places where you couldn’t or wouldn’t use a more full featured camera. No LCD, just a record button and a wide angle lens. I bought two.

  Those are the things that stand out for me. While there was plenty of interesting stuff to be seen, given the current economic conditions at the University, I wasn’t exactly in a shopping mindset. The show definitely felt more optimistic than it did last year, and companies are again pushing out new products. However, attendances was about 20% lower than 2008, and that was definitely noticeable on the show floor.