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• VP8 for Real-time Video Applications

  15 février 2011, par noreply@blogger.com (John Luther)

  With the growing interest in videoconferencing on the web platform, it’s a good time to explore the features of VP8 that make it an exceptionally good codec for real-time applications like videoconferencing.

  VP8 Design History & Features

  Real-time applications were a primary use case when VP8 was designed. The VP8 encoder has features specifically engineered to overcome the challenges inherent in compressing and transmitting real-time video data.
  

  • Processor-adaptive encoding. 16 encoder complexity levels automatically (or manually) adjust encoder features such as motion search strategy, quantizer optimizations, and loop filtering strength.
  • Encoder can be configured to use a target percentage of the host CPU.
    Ability to measure the time taken to encode each frame and adjust encoder complexity dynamically to keep the encoding time per frame constant
  • Robust error recovery (packet retransmission, forward error correction, recovery frame/new keyframe requests)
  • Temporal scalability (i.e., a single video bitstream that can degrade as needed depending on a participant’s available bandwidth)
  • Highly efficient decoding performance on low-power devices. Conventional video technology has grown to a state of complexity where dedicated hardware chips are needed to make it work well. With VP8, software-based solutions have proven to meet customer needs without requiring specialized hardware.

  For a more information about real-time video features in VP8, see the slide presentation by WebM Project engineer Paul Wilkins (PDF file).

  Commercially Available Products

  Millions of people around the world have been using VP7/8 for video chat for years. VP8 is deployed in some of today’s most popular consumer videoconferencing applications, including Skype (group video calling), Sightspeed, ooVoo and Logitech Vid. All of these vendors are active WebM project supporters. VP8’s predecessor, VP7, has been used in Skype video calling since 2005 and is supported in the new Skype app for iPhone. Other real-time VP8 implementations are coming soon, including ooVoo, and VP8 will play a leading role in Google’s plans for real-time applications on the web platform.

  Real-time applications will be extremely important as the web platform matures. The WebM community has made significant improvements in VP8 for real-time use cases since our launch and will continue to do so in the future.

  John Luther is Product Manager of the WebM Project.

  

• Internecine Legal Threats

  1er juin 2011, par Multimedia Mike — Legal/Ethical

  FFmpeg and associated open source multimedia projects such as xine, MPlayer, and VLC have long had a rebel mystique about them ; a bunch of hackers playing fast and loose with IP law in order to give the world the free multimedia experience it deserved. We figured out the algorithms using any tools available, including the feared technique of binary reverse engineering. When I gave a presentation about FFmpeg at Linuxtag in 2007, I created this image illustrating said mystique :

  
  
  

  It garnered laughs. But I made the point that we multimedia hackers just press on, doing our thing while ignoring legal threats. The policy has historically worked out famously for us– to date, I seem to be the only person on the receiving end of a sort-of legal threat from the outside world.

  Who would have thought that the most credible legal threat to an open source multimedia project would emanate from a fork of that very project ? Because that’s exactly what has transpired :

  
  
  Click for full threat
  

  So it came to pass that Michael Niedermayer — the leader of the FFmpeg project — received a bona fide legal nastygram from Mans Rullgard, a representative of the FFmpeg-forked Libav project. The subject of dispute is a scorched-earth matter involving the somewhat iconic FFmpeg zigzag logo :

  Original 2D logo		enhanced 3D logo

  To think of all those years we spent worrying about legal threats from organizations outside the community. I’m reminded of that time-honored horror trope/urban legend staple : Get out ! The legal threats are coming from inside the house !

  I’m interested to see how this all plays out, particularly regarding jurisdiction, as we have a U.K. resident engaging an Italian lawyer outfit to deliver a legal threat to an Austrian citizen regarding an image hosted on a server in Hungary. I suspect I know why that law firm was chosen, but it’s still a curious jurisdictional setup.

  People often used to ask me if we multimedia hackers would get sued to death for doing what we do. My response was always, “There’s only one way to know for sure,” by which I meant that we would just have to engage in said shady activities and determine empirically if lawsuits resulted. So I’m a strong advocate for experimentation to push the limits. Kudos to Michael and Mans for volunteering to push the legal limits.

• SNES Hardware Compression

  16 juin 2011, par Multimedia Mike — Game Hacking

  I was browsing the source code for some Super Nintendo Entertainment System (SNES) emulators recently. I learned some interesting things about compression hardware. I had previously uncovered one compression algorithm used in an SNES title but that was implemented in software.

  SNES game cartridges — being all hardware — were at liberty to expand the hardware capabilities of the base system by adding new processors. The most well-known of these processors was the Super FX which allows for basic polygon graphical rendering, powering such games as Star Fox. It was by no means the only such add-on processor, though. Here is a Wikipedia page of all the enhancement chips used in assorted SNES games. A number of them mention compression and so I delved into the emulators to find the details :

  • The Super FX is listed in Wikipedia vaguely as being able to decompress graphics. I see no reference to decompression in emulator source code.
  • DSP-3 emulation source code makes reference to LZ-type compression as well as tree/symbol decoding. I’m not sure if the latter is a component of the former. Wikipedia lists the chip as supporting "Shannon-Fano bitstream decompression."
  • Similar to Super FX, the SA-1 chip is listed in Wikipedia as having some compression capabilities. Again, either that’s not true or none of the games that use the chip (notably Super Mario RPG) make use of the feature.
  • The S-DD1 chip uses arithmetic and Golomb encoding for compressing graphics. Wikipedia refers to this as the ABS Lossless Entropy Algorithm. Googling for further details on that algorithm name yields no results, but I suspect it’s unrelated to anti-lock brakes. The algorithm is alleged to allow Star Ocean to smash 13 MB of graphics into a 4 MB cartridge ROM (largest size of an SNES cartridge).
  • The SPC7110 can decompress data using a combination of arithmetic coding and Z-curve/Morton curve reordering.

  No, I don’t plan to implement codecs for these schemes. But it’s always comforting to know that I could.

  Not directly a compression scheme, but still a curious item is the MSU1 concept put forth by the bsnes emulator. This is a hypothetical coprocessor implemented by bsnes that gives an emulated cartridge access to a 4 GB address space. What to do with all this space ? Allow for the playback of uncompressed PCM audio as well as uncompressed video at 240x144x256 colors @ 30 fps. According to the docs and the source code, the latter feature doesn’t appear to be implemented, though ; only the raw PCM playback.