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  • Personnaliser les catégories

    21 juin 2013, par

    Formulaire de création d’une catégorie
    Pour ceux qui connaissent bien SPIP, une catégorie peut être assimilée à une rubrique.
    Dans le cas d’un document de type catégorie, les champs proposés par défaut sont : Texte
    On peut modifier ce formulaire dans la partie :
    Administration > Configuration des masques de formulaire.
    Dans le cas d’un document de type média, les champs non affichés par défaut sont : Descriptif rapide
    Par ailleurs, c’est dans cette partie configuration qu’on peut indiquer le (...)

  • La sauvegarde automatique de canaux SPIP

    1er avril 2010, par

    Dans le cadre de la mise en place d’une plateforme ouverte, il est important pour les hébergeurs de pouvoir disposer de sauvegardes assez régulières pour parer à tout problème éventuel.
    Pour réaliser cette tâche on se base sur deux plugins SPIP : Saveauto qui permet une sauvegarde régulière de la base de donnée sous la forme d’un dump mysql (utilisable dans phpmyadmin) mes_fichiers_2 qui permet de réaliser une archive au format zip des données importantes du site (les documents, les éléments (...)

  • Automated installation script of MediaSPIP

    25 avril 2011, par

    To overcome the difficulties mainly due to the installation of server side software dependencies, an "all-in-one" installation script written in bash was created to facilitate this step on a server with a compatible Linux distribution.
    You must have access to your server via SSH and a root account to use it, which will install the dependencies. Contact your provider if you do not have that.
    The documentation of the use of this installation script is available here.
    The code of this (...)

Sur d’autres sites (7833)

  • Processing a video on a webserver [on hold]

    6 septembre 2013, par Django Reinhardt

    A client is interested in applying a Sepia style filter, as well as title cards, to user-uploaded videos on their website. This would obviously be automated on their webserver, and it seems ffmpeg, dvd-slideshow and/or aviDemux are good ways to make this happen.

    Unfortunately, from what I've read, such processing would require a lot of webserver CPU power — far more than the average webserver usually has. How can I practically perform these calculations on a website ?

    Should I just try and go for a beefy dedicated hosting package, or can I rent another server that's more suited to video processing ?

  • Revision 52d273674b : Further rate control cleanups Includes various cleanups. Streamlines the interf

    4 décembre 2013, par Deb Mukherjee

    Changed Paths :
     Modify /vp9/encoder/vp9_firstpass.c


     Modify /vp9/encoder/vp9_onyx_if.c


     Modify /vp9/encoder/vp9_onyx_int.h


     Modify /vp9/encoder/vp9_ratectrl.c


     Modify /vp9/encoder/vp9_ratectrl.h



    Further rate control cleanups

    Includes various cleanups.
    Streamlines the interfaces so that all rate control state
    updates happen in the vp9_rc_postencode_update() function.
    This will hopefully make it easier to support multiple
    rate control schemes.
    Removes some unnecessary code, which in rare cases can casue
    a difference in the constrained quality mode output, but
    other than that there is no bitstream change yet.

    Change-Id : I3198cc37249932feea1e3691c0b2650e7b0c22fc

  • Announcing TMPGEnc 4 : now with x264 !

    26 novembre 2010, par Dark Shikari — commercial, japan, licensing, x264

    A few months ago, we announced a commercial licensing program so that even companies unable to use GPL software in their products have a chance to use the open source x264 instead of proprietary alternatives. The system worked on two basic concepts. First, all licensees would still be required to give their changes to x264 back to us : x264 must forever remain free, with no useful contributions kept hidden from the community. Second, all the profits would go directly back to x264, primarily to the developers who’ve made the most significant contributions to x264 over the years, but also to funding future development, bounties for new features, as well as contributing to other related projects (e.g. Videolan and ffmpeg).

    Over the past couple of months, we’ve gotten an enormous response ; over 40 companies have inquired about licensing, with more contacting us every day. Due to the sheer volume of interest, we’ve partnered with CoreCodec, the creators of the free Matroska container format and developers of CoreAVC, to make x264 as widely available as possible in the world of commercial software as it is in the world of open source. All of this is already filtering back to benefiting x264 users, with many bugs being reported by commercial licensees as well as some code contributed.

    Today, we announce the first commercial consumer encoding software to switch to x264 : Pegasys Inc.’s TMPGEnc. Expect many more to follow : with x264 now available commercially as well as freely, there are few excuses left to use any other H.264 encoder. Vendors of overpriced, underpowered proprietary competitors should begin looking for new jobs.

    (Pegasys press release : English, Japanese)

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