
Recherche avancée
Médias (1)
-
La conservation du net art au musée. Les stratégies à l’œuvre
26 mai 2011
Mis à jour : Juillet 2013
Langue : français
Type : Texte
Autres articles (108)
-
Les autorisations surchargées par les plugins
27 avril 2010, parMediaspip core
autoriser_auteur_modifier() afin que les visiteurs soient capables de modifier leurs informations sur la page d’auteurs -
HTML5 audio and video support
13 avril 2011, parMediaSPIP uses HTML5 video and audio tags to play multimedia files, taking advantage of the latest W3C innovations supported by modern browsers.
The MediaSPIP player used has been created specifically for MediaSPIP and can be easily adapted to fit in with a specific theme.
For older browsers the Flowplayer flash fallback is used.
MediaSPIP allows for media playback on major mobile platforms with the above (...) -
De l’upload à la vidéo finale [version standalone]
31 janvier 2010, parLe chemin d’un document audio ou vidéo dans SPIPMotion est divisé en trois étapes distinctes.
Upload et récupération d’informations de la vidéo source
Dans un premier temps, il est nécessaire de créer un article SPIP et de lui joindre le document vidéo "source".
Au moment où ce document est joint à l’article, deux actions supplémentaires au comportement normal sont exécutées : La récupération des informations techniques des flux audio et video du fichier ; La génération d’une vignette : extraction d’une (...)
Sur d’autres sites (10347)
-
ffmpeg - Audio Issues with TS File
5 décembre 2020, par MeaningOfLifeI am new to the world of ffmpeg, so I apologize in advance if this is a stupid question or request.


I'm in the process of trying to convert a .ts file to a h264/mp4. I was able to successfully convert the video, however whenever I go to play the output file, the audio is weird. Most of the audio is only coming through the left channel. I noticed that the audio has multiple channels - 6 to be exact. And there are two audio streams as well. I'm assuming that this has something to do with it, but I am not sure what exactly to put in the command line to fix it.


I was hoping there would be a way to copy the video stream from the mp4 I had already made with ffmpeg, and then replace the audio from that mp4 with the audio from the source ts file - preferably mixed down into regular stereo audio. It is quite a big file, so I would like to not have to convert the video stream again if I don't have to.


Here is the media information from the source video.


General
ID : 1 (0x1)
Complete name : D:\88th Annual Christmas in Rockefeller Center.ts
Format : MPEG-TS
File size : 9.80 GiB
Duration : 2 h 7 min
Overall bit rate mode : Variable
Overall bit rate : 11.0 Mb/s
Law rating : None

Video
ID : 101 (0x65)
Menu ID : 1 (0x1)
Format : MPEG Video
Format version : Version 2
Format profile : Main@High
Format settings : BVOP
Format settings, BVOP : Yes
Format settings, Matrix : Default
Format settings, GOP : Variable
Format settings, picture structure : Frame
Codec ID : 2
Duration : 2 h 7 min
Bit rate mode : Variable
Bit rate : 9 851 kb/s
Maximum bit rate : 80.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Active Format Description : Full frame 16:9 image
Frame rate : 29.970 (30000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Interlaced
Scan order : Top Field First
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.159
Time code of first frame : 00:00:00;00
Time code source : Group of pictures header
Stream size : 8.80 GiB (90%)

Audio #1
ID : 102 (0x66)
Menu ID : 1 (0x1)
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : 129
Duration : 2 h 7 min
Bit rate mode : Constant
Bit rate : 384 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Delay relative to video : 32 ms
Stream size : 351 MiB (3%)
Language : English
Service kind : Complete Main

Audio #2
ID : 7543 (0x1D77)
Menu ID : 1 (0x1)
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : 129
Duration : 2 h 7 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Delay relative to video : 11 ms
Stream size : 176 MiB (2%)
Language : Spanish
Service kind : Complete Main

Text #1
ID : 101 (0x65)-CC1
Menu ID : 1 (0x1)
Format : EIA-608
Muxing mode : A/53 / DTVCC Transport
Muxing mode, more info : Muxed in Video #1
Duration : 2 h 7 min
Bit rate mode : Constant
Stream size : 0.00 Byte (0%)
CaptionServiceName : CC1

Text #2
ID : 101 (0x65)-1
Menu ID : 1 (0x1)
Format : EIA-708
Muxing mode : A/53 / DTVCC Transport
Muxing mode, more info : Muxed in Video #1
Duration : 2 h 7 min
Bit rate mode : Constant
Stream size : 0.00 Byte (0%)



-
Start of video is not labeled as "0" in QuickTime Video from GoPro
26 mars 2020, par John TerragnoliI’m trying to combine four GoPro videos into a single video, and then rotate it 90 degrees. However, the time scales on the bottom of the videos are all wrong. The videos are 17 minutes and 42 second. But the beginning time is labeled as 5:15:20:32 and the ending time is 5:33:01:32. It just looks really weird and I’d like to fix it. After I use ffmpeg to rotate and concatenate the videos, the problem persists. Could it possibly be fixed with Exiftool ?
ffmpeg -safe 0 -f concat -i list.txt -vcodec copy -acodec copy merged_videos.MP4
ffmpeg -i input.mov -vf "transpose=1" output.mov
Here is the exiftool information on one of the videos :
File Name : GOPR3023.MP4
Directory : .
File Size : 3.7 GB
File Modification Date/Time : 2018:04:12 14:56:16-05:00
File Access Date/Time : 2020:03:25 12:17:18-05:00
File Inode Change Date/Time : 2020:03:25 17:57:04-05:00
File Permissions : rwxrwxrwx
File Type : MP4
File Type Extension : mp4
MIME Type : video/mp4
Major Brand : MP4 v1 [ISO 14496-1:ch13]
Minor Version : 2013.10.18
Compatible Brands : mp41
Movie Data Size : 4001979951
Movie Data Offset : 28
Movie Header Version : 0
Create Date : 2018:04:12 14:38:32
Modify Date : 2018:04:12 14:38:32
Time Scale : 60000
Duration : 0:17:42
Preferred Rate : 1
Preferred Volume : 100.00%
Preview Time : 0 s
Preview Duration : 0 s
Poster Time : 0 s
Selection Time : 0 s
Selection Duration : 0 s
Current Time : 0 s
Next Track ID : 6
Firmware Version : HD5.03.02.51.00
Lens Serial Number : NAH6092300301117
Camera Serial Number Hash : 34676f2cdf49b86a1514817a93377bf7
Track Header Version : 0
Track Create Date : 2018:04:12 14:38:32
Track Modify Date : 2018:04:12 14:38:32
Track ID : 1
Track Duration : 0:17:42
Track Layer : 0
Track Volume : 0.00%
Image Width : 1920
Image Height : 1080
Graphics Mode : srcCopy
Op Color : 0 0 0
Compressor ID : avc1
Source Image Width : 1920
Source Image Height : 1080
X Resolution : 72
Y Resolution : 72
Compressor Name : GoPro AVC encoder
Bit Depth : 24
Color Representation : nclx 1 1 1
Video Frame Rate : 59.94
Time Code : 3
Balance : 0
Audio Format : mp4a
Audio Channels : 2
Audio Bits Per Sample : 16
Audio Sample Rate : 48000
Text Font : Unknown (21)
Text Face : Plain
Text Size : 10
Text Color : 0 0 0
Background Color : 65535 65535 65535
Font Name : Helvetica
Other Format : tmcd
Warning : [minor] The ExtractEmbedded option may find more tags in the movie data
Matrix Structure : 1 0 0 0 1 0 0 0 1
Media Header Version : 0
Media Create Date : 2018:04:12 14:38:32
Media Modify Date : 2018:04:12 14:38:32
Media Time Scale : 60000
Media Duration : 0:17:42
Handler Class : Media Handler
Handler Type : NRT Metadata
Handler Description : GoPro SOS
Gen Media Version : 0
Gen Flags : 0 0 0
Gen Graphics Mode : srcCopy
Gen Op Color : 0 0 0
Gen Balance : 0
Meta Format : fdsc
Image Size : 1920x1080
Megapixels : 2.1
Avg Bitrate : 30.1 Mbps
Rotation : 0Part 2
There is a pretty obvious "stutter" at the 17:42 mark where the two clips are combined. I’ve tried using ffmpeg and iMovie, but both give the same results. The GoPro broke up the event into multiple clips on it’s own so it seems weird that there would be any information missing. Is there any way to get rid of this stutter ?Thanks !
-
Troll spirit
15 juin 2013, par Mans — Law and libertyLast week’s announcements from the White House of steps being taken to begin fighting back against patent trolls, along with legislation passed in Vermont for the same purpose, are worthy of praise. Whether they prove effective or not, they are a sign of the problem finally having been recognised by the highest authorities. That said, only one aspect of the issue is addressed, that of non-practising entities or trolls. Little effort is being made to stymie troll-like behaviour from otherwise legitimate actors. While a stake is driven through the heart of the troll, its spirit remains free to roam the corporate world, and like a demon of darkness it possesses companies, compelling them to engage in the very practices we seek to eradicate.
The demon
The most damaging, when wielded by a troll, are those patents with vague or overly broad claims. These can easily be asserted against large numbers of alleged infringers, many of which likely choose to settle out of court rather than risk an expensive litigation process with uncertain outcome. Such negotiations are frequently subject to non-disclosure agreements prohibiting publication of details in any deals, or even the existence thereof. As a result, an accused has no way of assessing a fair price for a licence (assuming the patent is in fact valid), and the patent holder can thus extract from each would-be infringer precisely as much as they are willing or able to pay to avoid a lawsuit.
At the root of this problem is the ease with which applications for the patents in question are granted. Given the volume of patent applications, it is hardly reasonable to demand a hugely more extensive examination process than currently takes place (although some improvements here are no doubt possible) ; after all, a speedy decision is in the best interest of all parties. The solution must evidently be found elsewhere.
The exorcism
An obvious cure to the problem is the abolishment of the patent system. As this is clearly not feasible today, more practical, albeit less effective, remedies must be sought. A few ideas follow.
- Make patent validity all or nothing
- Change the rules such that any claim being found invalid cancels the patent its entirety. With the full patent at stake in this manner, companies would be discouraged from gambling on frivolous claims and encouraged to conduct a more thorough background investigation before filing.
- Maintain a registry of licences
- Require that all patent licence agreements be filed in an open, easily searchable registry. This would hopefully increase fairness in licensing deals.
- Mandate reimbursement of licence fees for invalidated patents
- If a patent is challenged and found invalid, require that the owner reimburse any licence fees previously collected for the patent in question. Apart from being morally right, this could act as a deterrent to over-charging. The amount requested for a licence would likely be balanced against the risk of being made to pay it all back later, resulting in lower licence fees for low-confidence patents.
These suggestions, alone or together, will not completely eradicate the problems of patent abuse. They are but small steps towards a more thorough overhaul of a system increasingly ill-suited to the nature and pace of modern technological development.