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Mise à jour de la version 0.1 vers 0.2
24 juin 2013, parExplications des différents changements notables lors du passage de la version 0.1 de MediaSPIP à la version 0.3. Quelles sont les nouveautés
Au niveau des dépendances logicielles Utilisation des dernières versions de FFMpeg (>= v1.2.1) ; Installation des dépendances pour Smush ; Installation de MediaInfo et FFprobe pour la récupération des métadonnées ; On n’utilise plus ffmpeg2theora ; On n’installe plus flvtool2 au profit de flvtool++ ; On n’installe plus ffmpeg-php qui n’est plus maintenu au (...) -
Personnaliser en ajoutant son logo, sa bannière ou son image de fond
5 septembre 2013, parCertains thèmes prennent en compte trois éléments de personnalisation : l’ajout d’un logo ; l’ajout d’une bannière l’ajout d’une image de fond ;
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Dépôt de média et thèmes par FTP
31 mai 2013, parL’outil MédiaSPIP traite aussi les média transférés par la voie FTP. Si vous préférez déposer par cette voie, récupérez les identifiants d’accès vers votre site MédiaSPIP et utilisez votre client FTP favori.
Vous trouverez dès le départ les dossiers suivants dans votre espace FTP : config/ : dossier de configuration du site IMG/ : dossier des média déjà traités et en ligne sur le site local/ : répertoire cache du site web themes/ : les thèmes ou les feuilles de style personnalisées tmp/ : dossier de travail (...)
Sur d’autres sites (9836)
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Solving The XVD Puzzle
I downloaded a multimedia file a long time ago (at least, I strongly suspected it was a multimedia file which is why I downloaded it). It went by the name of ‘lamborghini_850kbps.vg2′. I have had it in my collection for at least 7 years. I couldn’t remember where I found it. I downloaded it before it occurred to me to take notes about this sort of stuff.
I found myself staring at the file again today and Googled the filename. This led me to a few Japanese sites which also contained working URLs for a few more .vg2 samples. Some other clues led me to a Russian language forum where someone had linked to a site that had Win32 codec modules that could process the files. The site was defunct but the Internet Archive Wayback Machine kept a copy for me, as well as copies of several more .vg2 samples from a defunct Japanese site previously involved with this codec.
Sometimes this internet technology works really well. But I digress.
Anyway, through all this, I finally found a clue : XVD. and wouldn’t you know, there is already a basic page on the MultimediaWiki describing the technology. In fact, while VG2 is a custom container, the MultimediaWiki states that the video component has a FourCC of VGMV, and there is already a file named VGMV.avi in the root V-codecs/ samples directory, something I vow to correct (that’s a big pet peeve of mine– putting samples in the root V-codecs/ or A-codecs/ directories).
XVD… XVD… XVD… why does that sound so familiar ? Oh, of course ; there is a company named XVD and they have an office in the Bay Area which I have passed on numerous occasions, like this morning :
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Someone originally connected with the multimedia technology in question operates a website which contains an unofficial history of the XVD tech. At first, I was wondering if the technology was completely defunct (and should therefore be open sourced). But if XVD’s solutions page (dated 2010) is to be believed, the technology is still in service, and purported to be better than H.264 and VC-1 : “The current generation of XVD video compression technology provides better video quality at any given data rate than standards-based codecs (H.264 or VC-1) with four times lower encoding complexity (when compared with H.264 Main Profile).”
If they say so. For my part, I’m just happy that I have finally figured out what this lamborghini_850kbps.vg2 is so that I can properly catalog it on the samples site, which I have now done, along with other samples and various codecs modules.
This episode reminds me that there’s a branch office of Zygo Corporation close to my home (though the headquarters are far, far away). The companies you see in Silicon Valley. Anyway, long-time open source multimedia hackers will no doubt recognize Zygo from the ZyGo FourCC & video codec transported in QuickTime files that was almost decode-able using an H.263 decoder.
I may never learn what Zygo’s core competency actually is, but I will always remember their multimedia tech every time I run past their office.
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Programatically get non-overlapping images from MP4
15 février 2013, par Carlos FMy ultimate goal is to get meaningful snapshots from MP4 videos that are either 30 min or 1 hour long. "Meaningful" is a bit ambitious, so I have simplified my requirements.
The image should be crisp - non-overlapping, and ideally not blurry. Initially, I thought getting a keyframe would work, but I had no idea that keyframes could have overlapping images embedded in them like this :
Of course, some keyframe images look like this and those are much better :
I was wondering if someone might have source code to :
Take a sequence of say 10-15 continuous keyframes (jpg or png) and identify the best keyframe from all of them.
This must happen entirely programaticaly. I found this paper : http://research.microsoft.com/pubs/68802/blur_determination_compressed.pdf
and felt that I could "rank" a few images based on the above paper, but then I was dissuaded by this link : Extracting DCT coefficients from encoded images and video given that my source video is an MP4. Of course, this confuses me because the input into the system is just a sequence of jpg images.
Another link that is interesting is :
Detection of Blur in Images/Video sequences
However, I am not sure if this will work for "overlapping" images.
Any ideas ?
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Programmatically get non-overlapping images from MP4
16 novembre 2019, par Carlos FMy ultimate goal is to get meaningful snapshots from MP4 videos that are either 30 min or 1 hour long. "Meaningful" is a bit ambitious, so I have simplified my requirements.
The image should be crisp - non-overlapping, and ideally not blurry. Initially, I thought getting a keyframe would work, but I had no idea that keyframes could have overlapping images embedded in them like this :
Of course, some keyframe images look like this and those are much better :
I was wondering if someone might have source code to :
Take a sequence of say 10-15 continuous keyframes (jpg or png) and identify the best keyframe from all of them.
This must happen entirely programmatically. I found this paper : http://research.microsoft.com/pubs/68802/blur_determination_compressed.pdf
and felt that I could "rank" a few images based on the above paper, but then I was dissuaded by this link : Extracting DCT coefficients from encoded images and video given that my source video is an MP4. Of course, this confuses me because the input into the system is just a sequence of jpg images.
Another link that is interesting is :
Detection of Blur in Images/Video sequences
However, I am not sure if this will work for "overlapping" images.