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• Talk at Web Directions South, Sydney : HTML5 audio and video

  27 novembre 2010, par silvia

  On 14th October I gave a talk at Web Directions South on “HTML5 audio and video – using these exciting new elements in practice”. I wanted to give people an introduction into how to use these elements while at the same time stirring their imagination as to the design possibilities now that these (...)

• Inside WebM Technology : The VP8 Alternate Reference Frame

  15 juin 2010, par noreply@blogger.com (John Luther) — inside webm, vp8

  Since the WebM project was open-sourced just a week ago, we’ve seen blog posts and articles about its capabilities. As an open project, we welcome technical scrutiny and contributions that improve the codec. We know from our extensive testing that VP8 can match or exceed other leading codecs, but to get the best results, it helps to understand more about how the codec works. In this first of a series of blog posts, I’ll explain some of the fundamental techniques in VP8, along with examples and metrics.

  The alternative reference frame is one of the most exciting quality innovations in VP8. Let’s delve into how VP8 uses these frames to improve prediction and thereby overall video quality.

  Alternate Reference Frames in VP8

  VP8 uses three types of reference frames for inter prediction : the last frame, a "golden" frame (one frame worth of decompressed data from the arbitrarily distant past) and an alternate reference frame. Overall, this design has a much smaller memory footprint on both encoders and decoders than designs with many more reference frames. In video compression, it is very rare for more than three reference frames to provide significant quality benefit, but the undesirable increase in memory footprint from the extra frames is substantial.

  Unlike other types of reference frames used in video compression, which are displayed to the user by the decoder, the VP8 alternate reference frame is decoded normally but is never shown to the user. It is used solely as a reference to improve inter prediction for other coded frames. Because alternate reference frames are not displayed, VP8 encoders can use them to transmit any data that are helpful to compression. For example, a VP8 encoder can construct one alternate reference frame from multiple source frames, or it can create an alternate reference frame using different macroblocks from hundreds of different video frames.

  The current VP8 implementation enables two different types of usage for the alternate reference frame : noise-reduced prediction and past/future directional prediction.

  Noise-Reduced Prediction

  The alternate reference frame is transmitted and decoded similar to other frames, hence its usage does not add extra computation in decoding. The VP8 encoder however is free to use more sophisticated processing to create them in off-line encoding. One application of the alternate reference frame is for noise-reduced prediction. In this application, the VP8 encoder uses multiple input source frames to construct one reference frame through temporal or spatial noise filtering. This "noise-free" alternate reference frame is then used to improve prediction for encoding subsequent frames.

  You can make use of this feature by setting ARNR parameters in VP8 encoding, where ARNR stands for "Alternate Reference Noise Reduction." A sample two-pass encoding setting with the parameters :

  --arnr-maxframes=5 --arnr-strength=3

  enables the encoder to use "5" consecutive input source frames to produce one alternate reference frame using a filtering strength of "3". Here is an example showing the quality benefit of using this experimental "ARNR" feature on the standard test clip "Hall Monitor." (Each line on the graph represents the quality of an encoded stream on a given clip at multiple datarates. The higher points on the Y axis (PSNR) indicates the stream with the better quality.)

  
  

  The only difference between the two curves in the graph is that VP8_ARNR was produced by encodings with ARNR parameters and VP8_NO_ARNR was not. As we can see from the graph, noise reduced prediction is very helpful to compression quality when encoding noisy sources. We’ve just started to explore this idea but have already seen strong improvements on noisy input clips similar to this "Hall Monitor." We feel there’s a lot more we can do in this area.

  Improving Prediction without B Frames

  The lack of B frames in VP8 has sparked some discussion about its ability to achieve competitive compression efficiency. VP8 encoders, however, can make intelligent use of the golden reference and the alternate reference frames to compensate for this. The VP8 encoder can choose to transmit an alternate reference frame similar to a "future" frame, and encoding of subsequent frames can make use of information from the past (last frame and golden frame) and from the future (alternate reference frame). Effectively, this helps the encoder to achieve results similar to bidirectional (B frame) prediction without requiring frame reordering in the decoder. Running in two-pass encoding mode, compression can be improved in the VP8 encoder by using encoding parameters that enable lagged encoding and automatic placement of alternate reference frames :

  --auto-alt-ref=1 --lag-in-frames=16

  Used this way, the VP8 encoder can achieve improved prediction and compression efficiency without increasing the decoder’s complexity :

  
  

  In the video compression community, "Mobile and calendar" is known as a clip that benefits significantly from the usage of B frames. The graph above illustrates that the use of alternate reference frame benefits VP8 significantly without using B frames.

  Keep an eye on this blog for more posts about VP8 encoding. You can find more information on above encoding parameters or other detailed instructions to use with our VP8 encoders on our site, or join our discussion list.

  Yaowu Xu, Ph.D. is a codec engineer at Google.

  

• Playing Video on a Sega Dreamcast

  9 mars 2011, par Multimedia Mike — Sega Dreamcast

  Here’s an honest engineering question : If you were tasked to make compressed video play back on a Sega Dreamcast video game console, what video format would you choose ? Personally, I would choose RoQ, the format invented for The 11th Hour computer game and later used in Quake III and other games derived from the same engine. This post explains my reasoning.

  Video Background
  One of the things I wanted to do when I procured a used Sega Dreamcast back in 2001 was turn it into a set-top video playback unit. This is something that a lot of people tried to do, apparently, to varying degrees of success. Interest would wane in a few years as it became easier and easier to crack an Xbox and install XBMC. The Xbox was much better suited to playing codecs that were getting big at the time, most notably MPEG-4 part 2 video (DivX/XviD).

  The Dreamcast, while quite capable when it was released in 1999, was not very well-equipped to deal with an MPEG-type codec. I have recently learned that there are other hackers out there on the internet who are still trying to get the most out of this system. I was contacted for advice about how to make Theora perform better on the Dreamcast.
  
  Interesting thing about consoles and codecs : Since you are necessarily distributing code along with your data, you have far more freedom to use whatever codecs you want for your audio and video data. This is why Vorbis and even Theora have seen quite a bit of use in video games, "internet standards" be darned. Thus, when I realized this application had no hard and fast requirement to use Theora, and that it could use any codec that fit the platform, my mind started churning. When I was programming the DC 10 years ago, I didn’t have access to the same wealth of multimedia knowledge that is currently available.

  Requirements Gathering
  What do we need here ?

  • Codec needs to run on the Sega Dreamcast ; this eliminates codecs for which only binary decoder implementations are available
  • Must decode 320x240 video at 30 fps ; higher resolutions up to 640x480 would be desirable
  • Must deliver decent quality at 12X optical read speeds (DC drive speed)
  • There must be some decent, preferably free, encoder readily available ; speed of encoding, however, is not important ; i.e., "take as long as you need, encoder"

  Theora was the go-to codec because it’s just commonly known as "the free, open source video codec". But clearly it’s not suitable for, well... any purpose, really (sorry, easy target ; OW ! stop throwing things !). VP8/WebM — Theora’s heir apparent — would not qualify either, as my prior experiments have already demonstrated.

  Candidates
  What did the big boys use for video on the Dreamcast ? A lot of games relied on CRI’s Sofdec middleware which was MPEG-1 video and a custom ADPCM format. I don’t know if I have ever seen DC games that used MPEG-1 video at a higher resolution than 320x240 (though I have not searched exhaustively). The fact that CRI used a custom ADPCM format for this application may indicate that there wasn’t enough CPU power left over to decode a perceptual, transform-based audio codec alongside the 320x240 video.

  A few other DC games used 4X Technologies’ 4XM format. The most notable licensee was Alone in the Dark : The New Nightmare (DC version only ; PC version used Bink). This codec was DCT-based but incorporated 16-bit RGB colorspace into its design, presumably to optimize for applications like game consoles that couldn’t directly handle planar YUV. AITD:TNN’s videos were 640x360, a marked improvement over the typical Sofdec fare. I was about to write off 4XM as a contender due to lack of encoder, but the encoding tools are preserved on our samples site. A few other issues, though : The FFmpeg decoder doesn’t seem to work correctly as of this writing (and nobody has noticed yet, even though it’s tested via FATE).

  What ideas do I have ? Right off the bat, I’m thinking vector quantizer (VQ). Vector quantizers are notoriously slow to compress but are blazingly fast to decompress which is why they were popular in the early days of video compression. First, there’s Cinepak. I fear that might be too simple for this application. Plus, I don’t know if existing (binary-only) compressors are very decent. It seems that they only ever had to handle small videos and I’ve heard that they can really fall over if anything more is demanded of them.

  Sorenson Video 1 is another contender. FFmpeg has an encoder (which some allege is better than Sorenson’s original compressor). However, I fear that the wonky algorithm and colorspace might not mesh well with the Dreamcast.

  My thinking quickly converged on RoQ. This was designed to run fullscreen (640x480) video on i486-class hardware. While RoQ fundamentally operates in a YUV colorspace, it’s trivial to convert it to any other colorspace during decoding and the image will be rendered in that colorspace. Plus, there are open source encoders available for the format (namely, several versions of Eric Lasota’s Switchblade encoder, one of which lives natively in FFmpeg), as well as the original proprietary encoder.

  Which Library ?
  There are several code choices here : FFmpeg (LGPL), Switchblade (GPL), and the original Quake 3 source code (GPL). There is one more option that I think might be easiest, which is the decoder Dr. Tim created when he reverse engineered the format in the first place. That has a very liberal "do whatever you like, but be nice and give me credit" license (probably qualifies as BSD).

  This code is no longer at its original home but the Wayback Machine still had a copy, which I have now mirrored (idroq.tar.gz).

  Adaptation
  Dr. Tim’s code still compiles and runs great on Linux (64-bit !) with SDL output. I would like to get it ported to the Dreamcast using the same SDL output, which KallistiOS supports. Then, there is the matter of fixing the longstanding chroma bug in the original sample decoder (described here). The decoder also needs to be modified to natively render RGB565 data, as that will work best with the DC’s graphics hardware.

  After making the code work, I want to profile it and test whether it can handle full-frame 640x480 playback at 30 frames/second. I will need to contrive a sample to achieve this.

  Unfortunately, things went off the rails pretty quickly when I tried to get the RoQ decoder ported to DC/KOS. It looks like there’s a bug in KallistiOS’s minimalistic standard C library, or at least a discrepancy with my desktop Linux system. When you read to the end of a file and then seek backwards to someplace that isn’t the end, is the file still in EOF state ?

  According to my Linux desktop :

  open file ;          feof() = 0
  seek to end ;        feof() = 0
  read one more byte ; feof() = 1
  seek back to start ; feof() = 0
  

  According to KallistiOS :

  open file ;          feof() = 0
  seek to end ;        feof() = 0
  read one more byte ; feof() = 1
  seek back to start ; feof() = 1
  

  Here’s the seek-test.c program I used to test this issue :

  PLAIN TEXT

  C :

  1. #include <stdio .h>
  2.  
  3. int main()
  4. {
  5.   FILE *f ;
  6.   unsigned char byte ;
  7.  
  8.   f = fopen("seek_test.c", "r") ;
  9.   printf("open file ;     feof() = %d\n", feof(f)) ;
  10.   fseek(f, 0, SEEK_END) ;
  11.   printf("seek to end ;    feof() = %d\n", feof(f)) ;
  12.   fread(&byte, 1, 1, f) ;
  13.   printf("read one more byte ; feof() = %d\n", feof(f)) ;
  14.   fseek(f, 0, SEEK_SET) ;
  15.   printf("seek back to start ; feof() = %d\n", feof(f)) ;
  16.   fclose(f) ;
  17.  
  18.   return 0 ;
  19. }

  EOF
  Speaking of EOF, I’m about done for this evening.

  What codec would you select for this task, given the requirements involved ?