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• Revisiting the Belco Alpha-400

  26 août 2010, par Multimedia Mike — General

  Relieved of the primary FATE maintenance duties, I decided to dust off my MIPS-based Belco Alpha-400 and try to get it doing FATE cycles. And just as I was about to get FATE running, I saw that Mans already got his MIPS-based Popcorn Hour device to run FATE. But here are my notes anyway.

  
  
  

  Getting A Prompt
  For my own benefit, I made a PDF to remind me precisely how to get a root prompt on the Alpha-400. The ‘jailbreak’ expression seems a little juvenile to me, but it seems to be in vogue right now.

  alpha-400-jailbreak.pdf

  Toolchain
  When I last tinkered with the Alpha-400, I was trying to build a toolchain that could build binaries to run on the unit’s MIPS chip, to no avail. Sometime last year, MichaelK put together x86_32-hosted toolchains that are able to build mipsel 32-bit binaries for Linux 2.4 and 2.6. The Alpha-400 uses a 2.4 kernel and the corresponding toolchain works famously for building current FFmpeg (--disable-devices is necessary for building).

  FATE Samples
  Next problem : Making the FATE suite available to the Alpha-400. I copied all of the FATE suite samples onto a VFAT-formatted SD card. The filename case is not preserved for all files which confounds me since it is preserved in other cases. I tried formatting the card for ext3 but the Alpha-400 would not mount it, even though /proc/filesystems lists ext3 (supporting an older version of ext3 ?).

  Alternative : Copy all of the FATE samples to the device’s rootfs. Space will be a little tight, though. Then again, there is over 600 MB of space free ; I misread earlier and thought there were only 300 MB free.

  Remote Execution
  To perform FATE cycles on a remote device, it helps to be able to SSH into that remote device. I don’t even want to know how complicated it would be to build OpenSSH for the device. However, the last time I brought up this topic, I learned about a lighter weight SSH replacement called Dropbear. It turns out that Dropbear runs great on this MIPS computer.

  Running FATE Remotely
  I thought all the pieces would be in place to run FATE at this point. However, there is one more issue : Running FATE on a remote system requires that the host and the target are sharing a filesystem somehow. My personal favorite remote filesystem method is sshfs which is supposed to work wherever there is an SSH server. That’s not entirely true, though– sshfs also requires sftp-server to be installed on the server side, a program that Dropbear does not currently provide.

  I’m not even going to think about getting Samba or NFS server software installed on the Alpha-400. According to the unit’s /proc/filesystems file, nfs is a supported filesystem. I hate setting up NFS but may see if I can get that working anyway.

  Residual Weirdness
  The unit comes with the venerable Busybox program (BusyBox v1.4.1 (2007-06-01 20:37:18 CST) multi-call binary) for most of its standard command line utilities. I noticed a quirk where BusyBox’s md5sum gives weird hex characters. This might be a known/fixed issue.

  Another item is that the Alpha-400′s /dev/null file only has rwxr-xr-x per default. This caused trouble when I first tried to scp using Dropbear using a newly-created, unprivileged user.

• Sorenson Video 3 For Posterity

  12 août 2010, par Multimedia Mike — Software Museum

  On a recent dumpster dive, I procured a complete, never-been-opened copy of Sorenson Video 3 Professional Edition Compressor for Windows. And because I’m me, I thought it would be interesting to document it here :

  
  

  
  

  Not opened until now, anyway :

  
  
  

  I chuckled at the thought that I might open the user manual and find the complete data stream format listed therein. As expected, the guide offers a broad overview of video compression concepts (lossy vs. lossless, inter/intraframes, that kind of thing) and goes on to describe general guidelines for compressing different types of data. Then there is the feature reference. There are standard features and professional features (the latter includes things like bidirectional prediction, masking, and watermarking).

  I was hoping to figure out how to encode some video with this software. But I think I need full Quicktime Pro in order to do that. If you’re interested, here’s the user manual in PDF format : Sorenson Video 3 User Guide (626 Kbytes). Here’s an interesting claim from the chapter on audio compression :

  Most movies are made up of two parts, video and audio. Historically, the video portion of a digital movie was so large that the audio was only a minor piece of the puzzle. However, with Sorenson Video’s excellent compression capabilities it is possible to create a file where audio is the largest portion.

  I know it’s possible to do that, but is it really recommended ? I’m sure I have some samples in my vast repository where this is the case but it still doesn’t strike me as optimal for network delivery.

• NAB 2010 wrapup

  15 avril 2010

  Another year of NAB has come and gone. Making it out of Vegas with some remaining faith in humanity seems like a successful outcome. So, anything worth talking about at the show ?

  First off, there’s 3d. 3D is The Next Big Thing, and that was obvious to anyone who spent half a second on the show floor. Everything from camera rigs, to post production apps, to display technology was all 3d, all the time. I’m not a huge fan of 3d in most cases, but the industry is at least feigning interest.

  Luckily, at a show as big as NAB, there’s plenty of other cool stuff to see. So, what struck my fancy ?

  First off, Avid and Adobe were showing new versions of Media Composer and Premiere. Both sounded pretty amazing on paper, but I must say I was somewhat underwhelmed by both in reality. Premiere felt a little rough around the edges - the Mercurial Engine wasn’t the sort of next generation tech that I expected. Media Composer 5 has some nice new tweaks, but it’s still rather Avid-y - which is good for Avid people, less interesting for the rest of us.

  In other software news, Blackmagic Design was showing off some of what they’re doing with the DaVinci technology that they acquired. Software-only Da Vinci Resolve for $999 is a pretty amazing deal, and the demos were quite nice. That said, color correction is an art, so just making the technology cheaper isn’t necessarily going to dramatically change the number of folks who do it well - see Color.

  Blackmagic also has a pile of new USB 3.0 hardware devices, including the absolutely gorgeous UltraStudio Pro. Makes me pine for USB 3.0 on the mac.

  On the production side, we saw new cameras from just about everyone. To start at the high end, the Arri Alexa was absolutely stunning. Perhaps the nicest digital cinema footage I’ve seen. Not only that, but they’ve worked out a usable workflow, recording to ProRes plus RAW. At the price point they’re promising, the world is going to get a lot more difficult for RED.

  Sony’s new XDCam EX gear is another good step forward for that format. Nothing groundbreaking, but another nice progression. I was kind of hoping we’d see 4:2:2 EX gear from them, but I suppose they need to justify the disc based formats for a while longer.

  The Panasonic AG-AF100 is another interesting camera, bringing micro 4/3rds into video. The only strange thing is the recording side - AVCHD to SD cards. While I’m thrilled to see them using SD instead of P2, it sure would have been nice to have an AVCIntra option.

  Finally, Canon’s 4:2:2 XF cams are a nice option for the ENG/EFP market. Nothing groundbreaking, aside from the extra color sampling, but it’s a nice step up from what they’ve been doing.

  Speaking of Canon, it’s interesting to see the ways that the 5d and 7d have made their way into mainstream filmmaking. At one point, I thought they’d be relegated to the indie community - folks looking for nice DoF on a budget. Instead, they seem to have been adopted by a huge range of productions, from episodic TV to features. While they’re not right for everyone, the price and quality make them an easy choice in many cases.

  One of the stars of the show for me was the GoPro, a small waterproof HD camera that ships with a variety of mounts, designed to be used in places where you couldn’t or wouldn’t use a more full featured camera. No LCD, just a record button and a wide angle lens. I bought two.

  Those are the things that stand out for me. While there was plenty of interesting stuff to be seen, given the current economic conditions at the University, I wasn’t exactly in a shopping mindset. The show definitely felt more optimistic than it did last year, and companies are again pushing out new products. However, attendances was about 20% lower than 2008, and that was definitely noticeable on the show floor.