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Mot : - Tags -/creative commons

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  • Websites made ​​with MediaSPIP

    2 mai 2011, par

    This page lists some websites based on MediaSPIP.

  • Possibilité de déploiement en ferme

    12 avril 2011, par

    MediaSPIP peut être installé comme une ferme, avec un seul "noyau" hébergé sur un serveur dédié et utilisé par une multitude de sites différents.
    Cela permet, par exemple : de pouvoir partager les frais de mise en œuvre entre plusieurs projets / individus ; de pouvoir déployer rapidement une multitude de sites uniques ; d’éviter d’avoir à mettre l’ensemble des créations dans un fourre-tout numérique comme c’est le cas pour les grandes plate-formes tout public disséminées sur le (...)

  • Ajouter des informations spécifiques aux utilisateurs et autres modifications de comportement liées aux auteurs

    12 avril 2011, par

    La manière la plus simple d’ajouter des informations aux auteurs est d’installer le plugin Inscription3. Il permet également de modifier certains comportements liés aux utilisateurs (référez-vous à sa documentation pour plus d’informations).
    Il est également possible d’ajouter des champs aux auteurs en installant les plugins champs extras 2 et Interface pour champs extras.

Sur d’autres sites (9338)

  • Does ffmpeg supported KLV metadata ?

    9 février 2016, par ransh

    Is ffmpeg metadata, which is also described in :
    http://wiki.multimedia.cx/index.php?title=FFmpeg_Metadata
    also supported MISB standard UAV metadata 601.5 ?
    Is it same as KLV ?

    Thanks,
    Ran

  • How To Write An Oscilloscope

    29 avril 2012, par Multimedia Mike — General, gme, oscilloscope, visualization

    I’m trying to figure out how to write a software oscilloscope audio visualization. It’s made more frustrating by the knowledge that I am certain that I have accomplished this task before.

    In this context, the oscilloscope is used to draw the time-domain samples of an audio wave form. I have written such a plugin as part of the xine project. However, for that project, I didn’t have to write the full playback pipeline— my plugin was just handed some PCM data and drew some graphical data in response. Now I’m trying to write the entire engine in a standalone program and I’m wondering how to get it just right.



    This is an SDL-based oscilloscope visualizer and audio player for Game Music Emu library. My approach is to have an audio buffer that holds a second of audio (44100 stereo 16-bit samples). The player updates the visualization at 30 frames per second. The o-scope is 512 pixels wide. So, at every 1/30th second interval, the player dips into the audio buffer at position ((frame_number % 30) * 44100 / 30) and takes the first 512 stereo frames for plotting on the graph.

    It seems to be working okay, I guess. The only problem is that the A/V sync seems to be slightly misaligned. I am just wondering if this is the correct approach. Perhaps the player should be performing some slightly more complicated calculation over those (44100/30) audio frames during each update in order to obtain a more accurate graph ? I described my process to an electrical engineer friend of mine and he insisted that I needed to apply something called hysteresis to the output or I would never get accurate A/V sync in this scenario.

    Further, I know that some schools of thought on these matters require that the dots in those graphs be connected, that the scattered points simply won’t do. I guess it’s a stylistic choice.

    Still, I think I have a reasonable, workable approach here. I might just be starting the visualization 1/30th of a second too late.

  • Does 'keyint infinite' improve overall compression with crf and mb-tree ?

    23 avril 2012, par HitomiTenshi

    After reading what intra-refresh does, I kinda got confused. I'm encoding for YouTube and YouTube will re-encode the video-file anyways, so I thought "why not removing all these heavy IDR-frames ?" I just want to compress my video as hard as possible, enabling everything that could help me getting a lower filesize, but still maintaining a high quality.

    I used to test around stuff with lossless QP encoding, but the only thing I could max out was the merange. Here is a paste of my x264 settings : Pastebin.

    I want to achieve highest compression while maintaining visually lossless quality. (using crf values around 10 - 13, and merange 32)

    Could anyone give me advice on how to compress my video super hard (without touching the crf value !). I also want to know if it's true, that keyint infinite reduces overall compression.