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• ffmpeg output file size grows faster than linearly with movie length

  14 janvier 2021, par Jakob Filser

  I'm using ffmpeg to string together some .bmp images into a movie. In total, there are 1001 frames, amounting to 0:40 length. The command I'm using is

  


  ffmpeg -f image2 -i render.%05d.bmp -c:v libx264 -s 512:268 render.mp4


  


  The output file is 33,2 MB large, which is about twice the size of a full HD (about 16 times the pixels !) video of the same length. Apart from the file size being unreasonably large, I realized it grows faster than linearly (can't tell exactly if it is quadratic, exponential etc.) with the number of frames. After 100 frames it is about 1536 KB large (which is already too large), after 500 frames it is already 15104 KB, and after 1001 it finally arrives at 34085 KB.

  


  My educated guess would be that for each frame it stores some information about all of the previous frames again, which makes absolutely no sense.

  


  What am I doing wrong ? Before you recommend libx265 to me : It turns the entire video green.

  


• ffmpeg blured bars on vertical movie - Error while opening encoder

  14 mars 2021, par hexedecimal

  I'm trying to use ffmpeg to prepare a mp4 file which is vertical recorded for upload to youtube.
(on a synology DS220+)
In the output file I want to have no black bars on the side but blured sodebars of the movie itself.
This I'm trying to do whit this code (in the end I want to automate this process, but maybe there is a better way to do this) :

  


  ffmpeg -i input.mp4 -lavfi "[0:v]scale=1920*2:1080*2,boxblur=luma_radius=min(h\,w)/20:luma_power=1:chroma_radius=min(cw\,ch)/20:chroma_power=1[bg];[0:v]scale=-1:1080[ov];[bg][ov]overlay=(W-w)/2:(H-h)/2,crop=w=1920:h=1080" output.mp4 


  


  unfortunaly i get a error message :

  


  Error while opening encoder for output stream #0:1 - maybe incorrect parameters such as bit_rate, rate, width or height


  


  In mine search on the internet I have tried multiple ways to get this done but whit all the same error result.
This was making me think that the ffmpeg install is faulty or I was trying wrong code.

  


  Could somebody help me whit this "project"

  


  full responce below :

  


  username@ip:/volume1/location$ ffmpeg -i input.mp4 -lavfi "[0:v]scale=1920*2:1080*2,boxblur=luma_radius=min(h\,w)/20:luma_power=1:chroma_radius=min(cw\,ch)/20:chroma_power=1[bg];[0:v]scale=-1:1080[ov];[bg][ov]overlay=(W-w)/2:(H-h)/2,crop=w=1920:h=1080" output.mp4
ffmpeg version 2.7.7 Copyright (c) 2000-2015 the FFmpeg developers
  built with gcc 4.9.3 (crosstool-NG 1.20.0) 20150311 (prerelease)
  configuration: --prefix=/usr --incdir='${prefix}/include/ffmpeg' --arch=i686 --target-os=linux --cross-prefix=/usr/local/x86_64-pc-linux-gnu/bin/x86_64-pc-linux-gnu- --enable-cross-compile --enable-optimizations --enable-pic --enable-gpl --enable-shared --disable-static --enable-version3 --enable-nonfree --enable-libfaac --enable-encoders --enable-pthreads --disable-bzlib --disable-protocol=rtp --disable-muxer=image2 --disable-muxer=image2pipe --disable-swscale-alpha --disable-ffserver --disable-ffplay --disable-doc --disable-devices --disable-bzlib --disable-altivec --enable-libopencore-amrnb --enable-libopencore-amrwb --enable-libmp3lame --disable-vaapi --disable-decoder=amrnb --disable-decoder=ac3 --disable-decoder=ac3_fixed --disable-encoder=zmbv --disable-encoder=dca --disable-encoder=ac3 --disable-encoder=ac3_fixed --disable-encoder=eac3 --disable-decoder=dca --disable-decoder=eac3 --disable-decoder=truehd --disable-decoder=hevc --disable-muxer=hevc --disable-demuxer=hevc --disable-parser=hevc --cc=/usr/local/x86_64-pc-linux-gnu/bin/x86_64-pc-linux-gnu-ccache-gcc --enable-yasm --enable-libx264 --enable-encoder=libx264
  libavutil      54. 27.100 / 54. 27.100
  libavcodec     56. 41.100 / 56. 41.100
  libavformat    56. 36.100 / 56. 36.100
  libavdevice    56.  4.100 / 56.  4.100
  libavfilter     5. 16.101 /  5. 16.101
  libswscale      3.  1.101 /  3.  1.101
  libswresample   1.  2.100 /  1.  2.100
  libpostproc    53.  3.100 / 53.  3.100
Input #0, mov,mp4,m4a,3gp,3g2,mj2, from 'input.mp4':
  Metadata:
    major_brand     : isom
    minor_version   : 512
    compatible_brands: isomiso2avc1mp41
    encoder         : Lavf56.36.100
  Duration: 00:00:36.12, start: 0.000000, bitrate: 2529 kb/s
    Stream #0:0(und): Video: h264 (Main) (avc1 / 0x31637661), yuv420p(tv, smpte170m/bt709/bt709), 406x720 [SAR 405:406 DAR 9:16], 2394 kb/s, 30 fps, 30 tbr, 12k tbn, 60 tbc (default)
    Metadata:
      handler_name    : VideoHandler
    Stream #0:1(und): Audio: aac (LC) (mp4a / 0x6134706D), 48000 Hz, stereo, fltp, 128 kb/s (default)
    Metadata:
      handler_name    : SoundHandler
File 'output.mp4' already exists. Overwrite ? [y/N] y
[libx264 @ 0x1cdc4a0] using SAR=81/256
[libx264 @ 0x1cdc4a0] using cpu capabilities: MMX2 SSE2Fast SSSE3 SSE4.2
[libx264 @ 0x1cdc4a0] profile High, level 4.0
[libx264 @ 0x1cdc4a0] 264 - core 148 - H.264/MPEG-4 AVC codec - Copyleft 2003-2016 - http://www.videolan.org/x264.html - options: cabac=1 ref=3 deblock=1:0:0 analyse=0x3:0x113 me=hex subme=7 psy=1 psy_rd=1.00:0.00 mixed_ref=1 me_range=16 chroma_me=1 trellis=1 8x8dct=1 cqm=0 deadzone=21,11 fast_pskip=1 chroma_qp_offset=-2 threads=3 lookahead_threads=1 sliced_threads=0 nr=0 decimate=1 interlaced=0 bluray_compat=0 constrained_intra=0 bframes=3 b_pyramid=2 b_adapt=1 b_bias=0 direct=1 weightb=1 open_gop=0 weightp=2 keyint=250 keyint_min=25 scenecut=40 intra_refresh=0 rc_lookahead=40 rc=crf mbtree=1 crf=23.0 qcomp=0.60 qpmin=0 qpmax=69 qpstep=4 ip_ratio=1.40 aq=1:1.00
Output #0, mp4, to 'output.mp4':
  Metadata:
    major_brand     : isom
    minor_version   : 512
    compatible_brands: isomiso2avc1mp41
    encoder         : Lavf56.36.100
    Stream #0:0: Video: h264 (libx264), yuv420p, 1920x1080 [SAR 81:256 DAR 9:16], q=-1--1, 30 fps, 30 tbn, 30 tbc (default)
    Metadata:
      encoder         : Lavc56.41.100 libx264
    Stream #0:1(und): Audio: aac, 0 channels, 128 kb/s (default)
    Metadata:
      handler_name    : SoundHandler
      encoder         : Lavc56.41.100 libfaac
Stream mapping:
  Stream #0:0 (h264) -> scale (graph 0)
  Stream #0:0 (h264) -> scale (graph 0)
  crop (graph 0) -> Stream #0:0 (libx264)
  Stream #0:1 -> #0:1 (aac (native) -> aac (libfaac))
Error while opening encoder for output stream #0:1 - maybe incorrect parameters such as bit_rate, rate, width or height


  


• Adding A New System To The Game Music Website

  1er août 2012, par Multimedia Mike — General

  At first, I was planning to just make a little website where users could install a Chrome browser extension and play music from old 8-bit NES games. But, like many software projects, the goal sort of ballooned. I created a website where users can easily play old video game music. It doesn’t cover too many systems yet, but I have had individual requests to add just about every system you can think of.

  The craziest part is that I know it’s possible to represent most of the systems. Eventually, it would be great to reach Chipamp parity (a combination plugin for Winamp that packages together plugins for many of these chiptunes). But there is a process to all of this. I have taken to defining a number of phases that are required to get a new system covered.

  Phase 0 informally involves marveling at the obscurity of some of the console systems for which chiptune collections have evolved. WonderSwan ? Sharp X68000 ? PC-88 ? I may be viewing this through a terribly Ameri-centric lens. I’ve at least heard of the ZX Spectrum and the Amstrad CPC even if I’ve never seen either.

  No matter. The goal is to get all their chiptunes cataloged and playable.

  Phase 1 : Finding A Player
  The first step is to find a bit of open source code that can play a particular format. If it’s a library that can handle many formats, like Game Music Emu or Audio Overload SDK, even better (probably). The specific open source license isn’t a big concern for me. I’m almost certain that some of the libraries that SaltyGME currently mixes are somehow incompatible, license-wise. I’ll worry about it when I encounter someone who A) cares, and B) is in a position to do something about it. Historical preservation comes first, and these software libraries aren’t getting any younger (I’m finding some that haven’t been touched in a decade).

  Phase 2 : Test Program
  The next phase is to create a basic test bench program that sends a music file into the library, generates a buffer of audio, and shoves it out to the speakers via PulseAudio’s simple API (people like to rip on PulseAudio, but its simple API really lives up to its name and requires pages less boilerplate code to play a few samples than ALSA).

  Phase 3 : Plug Into Web Player
  After successfully creating the test bench and understanding exactly which source files need to be built, the next phase is to hook it up to the main SaltyGME program via the ad-hoc plugin API I developed. This API requires that a player backend can, at the very least, initialize itself based on a buffer of bytes and generate audio samples into an array of 16-bit numbers. The API also provides functions for managing files with multiple tracks and toggling individual voices/channels if the library supports such a feature. Having the test bench application written beforehand usually smooths out this step.

  But really, I’m just getting started.

  Phase 4 : Collecting A Song Corpus
  Then there is the matter of staging a collection of songs for a given system. It seems like it would just be a matter of finding a large collection of songs for a given format, downloading them in bulk, and mirroring them. Honestly, that’s the easy part. People who are interested in this stuff have been lovingly curating massive collections of these songs for years (see SNESmusic.org for one of the best examples, and they also host a torrent of all their music for really quick and easy hoarding).
  
  In my drive to make this game music website more useful for normal people, the goal is to extract as much metadata as possible to make searching better, and to package the data so that it’s as convenient as possible for users. Whenever I seek to add a new format to the collection, this is the phase where I invariably find that I have to fundamentally modify some of the assumptions I originally made in the player.

  First, there were the NES Sound Format (NSF) files, the original format I wanted to play. These are files that have any number of songs packed into a single file. Playback libraries expose APIs to jump to individual tracks. So the player was designed around that. Game Boy GBS files also fall into this category but present a different challenge vis-à-vis metadata, addressed in the next phase.

  Then, there were the SPC files. Each SPC file is its own song and multiple SPC files are commonly bundled as RAR files. Not wanting to deal with RAR, or any format where I interacted with a general compression API to pull a few files out, I created a custom resource format (inspired by so many I have studied and documented) and compressed it with a simpler compression API. I also had to modify some of the player’s assumptions to deal with this archive format. Genesis VGMs, bundled either in .zip or .7z, followed the same model as SPC in RAR.

  Then it was suggested that I attempt to bring SaltyGME closer to feature parity with Chipamp, rather than just being a Chrome browser frontend for Game Music Emu. When I studied the Portable Sound Format (PSF), I realized it didn’t fit into the player model I already had. PSF uses a sort of shared library model for code execution and I developed another resource archive format to cope with it. So that covers quite a few formats.

  One more architecture challenge arose when I started to study one of the prevailing metadata formats, explained in the next phase.

  Phase 5 : Metadata
  Finally, for the collections to really be useful, I need to harvest that juicy metadata for search and presentation.

  I have created a series of programs and scripts to scrape metadata out of these music files and store it all in a database that drives the website and search engine. I recognize that it’s no good to have a large corpus of songs with minimal metadata and while importing bulk quantities of music, the scripts harshly reject songs that have too little metadata.

  Again, challenges abound. One of the biggest challenges I’m facing is the peculiar quasi-freeform metadata format that emerged as .m3u that takes a form similar to :

  #################################################################
  #
  # GRADIUS2
  # (c) KONAMI  by Furukawa Motoaki, IKACHAN
  #
  #################################################################
  nemesis2.kss::KSS,62,[Nemesis2] (Opening),2:23,,0
  
  nemesis2.kss::KSS,61,[Nemesis2] (Start),7,,0
  
  nemesis2.kss::KSS,43,[Nemesis2] (Air Battle),34,0-
  
  nemesis2.kss::KSS,44,[Nemesis2] (1st. BGM),51,0-
  
  [...]
  

  A lot of file formats (including Game Boy GBS mentioned earlier) store their metadata separately using this format. I have some ideas about tools I can use to help me process this data but I’m pretty sure each one will require some manual intervention.

  As alluded to in phase 4, .m3u presents another architectural challenge : Notice the second field in the CSV .m3u data. That’s a track number. A player can’t expect every track in a bundled chiptune file to be valid, nor to be in any particular order. Thus, I needed to alter the architecture once more to take this into account. However, instead of modifying the SaltyGME player, I simply extended the metadata database to include a playback order which, by default, is the same as the track order but can also accommodate this new issue. This also has the bonus of providing a facility to exclude playback of certain tracks. This comes in handy for many PSF archives which tend to include files that only provide support for other files and aren’t meant to be played on their own.

  Bright Side
  The reward for all of this effort is that the data lands in a proper database in the end. None of it goes back into the chiptune files themselves. This makes further modification easier as all of the data that is indexed and presented on the site comes from the database. Somewhere down the road, I should probably create an API for accessing this metadata.