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• Playing Video on a Sega Dreamcast

  9 mars 2011, par Multimedia Mike — Sega Dreamcast

  Here’s an honest engineering question : If you were tasked to make compressed video play back on a Sega Dreamcast video game console, what video format would you choose ? Personally, I would choose RoQ, the format invented for The 11th Hour computer game and later used in Quake III and other games derived from the same engine. This post explains my reasoning.

  Video Background
  One of the things I wanted to do when I procured a used Sega Dreamcast back in 2001 was turn it into a set-top video playback unit. This is something that a lot of people tried to do, apparently, to varying degrees of success. Interest would wane in a few years as it became easier and easier to crack an Xbox and install XBMC. The Xbox was much better suited to playing codecs that were getting big at the time, most notably MPEG-4 part 2 video (DivX/XviD).

  The Dreamcast, while quite capable when it was released in 1999, was not very well-equipped to deal with an MPEG-type codec. I have recently learned that there are other hackers out there on the internet who are still trying to get the most out of this system. I was contacted for advice about how to make Theora perform better on the Dreamcast.
  
  Interesting thing about consoles and codecs : Since you are necessarily distributing code along with your data, you have far more freedom to use whatever codecs you want for your audio and video data. This is why Vorbis and even Theora have seen quite a bit of use in video games, "internet standards" be darned. Thus, when I realized this application had no hard and fast requirement to use Theora, and that it could use any codec that fit the platform, my mind started churning. When I was programming the DC 10 years ago, I didn’t have access to the same wealth of multimedia knowledge that is currently available.

  Requirements Gathering
  What do we need here ?

  • Codec needs to run on the Sega Dreamcast ; this eliminates codecs for which only binary decoder implementations are available
  • Must decode 320x240 video at 30 fps ; higher resolutions up to 640x480 would be desirable
  • Must deliver decent quality at 12X optical read speeds (DC drive speed)
  • There must be some decent, preferably free, encoder readily available ; speed of encoding, however, is not important ; i.e., "take as long as you need, encoder"

  Theora was the go-to codec because it’s just commonly known as "the free, open source video codec". But clearly it’s not suitable for, well... any purpose, really (sorry, easy target ; OW ! stop throwing things !). VP8/WebM — Theora’s heir apparent — would not qualify either, as my prior experiments have already demonstrated.

  Candidates
  What did the big boys use for video on the Dreamcast ? A lot of games relied on CRI’s Sofdec middleware which was MPEG-1 video and a custom ADPCM format. I don’t know if I have ever seen DC games that used MPEG-1 video at a higher resolution than 320x240 (though I have not searched exhaustively). The fact that CRI used a custom ADPCM format for this application may indicate that there wasn’t enough CPU power left over to decode a perceptual, transform-based audio codec alongside the 320x240 video.

  A few other DC games used 4X Technologies’ 4XM format. The most notable licensee was Alone in the Dark : The New Nightmare (DC version only ; PC version used Bink). This codec was DCT-based but incorporated 16-bit RGB colorspace into its design, presumably to optimize for applications like game consoles that couldn’t directly handle planar YUV. AITD:TNN’s videos were 640x360, a marked improvement over the typical Sofdec fare. I was about to write off 4XM as a contender due to lack of encoder, but the encoding tools are preserved on our samples site. A few other issues, though : The FFmpeg decoder doesn’t seem to work correctly as of this writing (and nobody has noticed yet, even though it’s tested via FATE).

  What ideas do I have ? Right off the bat, I’m thinking vector quantizer (VQ). Vector quantizers are notoriously slow to compress but are blazingly fast to decompress which is why they were popular in the early days of video compression. First, there’s Cinepak. I fear that might be too simple for this application. Plus, I don’t know if existing (binary-only) compressors are very decent. It seems that they only ever had to handle small videos and I’ve heard that they can really fall over if anything more is demanded of them.

  Sorenson Video 1 is another contender. FFmpeg has an encoder (which some allege is better than Sorenson’s original compressor). However, I fear that the wonky algorithm and colorspace might not mesh well with the Dreamcast.

  My thinking quickly converged on RoQ. This was designed to run fullscreen (640x480) video on i486-class hardware. While RoQ fundamentally operates in a YUV colorspace, it’s trivial to convert it to any other colorspace during decoding and the image will be rendered in that colorspace. Plus, there are open source encoders available for the format (namely, several versions of Eric Lasota’s Switchblade encoder, one of which lives natively in FFmpeg), as well as the original proprietary encoder.

  Which Library ?
  There are several code choices here : FFmpeg (LGPL), Switchblade (GPL), and the original Quake 3 source code (GPL). There is one more option that I think might be easiest, which is the decoder Dr. Tim created when he reverse engineered the format in the first place. That has a very liberal "do whatever you like, but be nice and give me credit" license (probably qualifies as BSD).

  This code is no longer at its original home but the Wayback Machine still had a copy, which I have now mirrored (idroq.tar.gz).

  Adaptation
  Dr. Tim’s code still compiles and runs great on Linux (64-bit !) with SDL output. I would like to get it ported to the Dreamcast using the same SDL output, which KallistiOS supports. Then, there is the matter of fixing the longstanding chroma bug in the original sample decoder (described here). The decoder also needs to be modified to natively render RGB565 data, as that will work best with the DC’s graphics hardware.

  After making the code work, I want to profile it and test whether it can handle full-frame 640x480 playback at 30 frames/second. I will need to contrive a sample to achieve this.

  Unfortunately, things went off the rails pretty quickly when I tried to get the RoQ decoder ported to DC/KOS. It looks like there’s a bug in KallistiOS’s minimalistic standard C library, or at least a discrepancy with my desktop Linux system. When you read to the end of a file and then seek backwards to someplace that isn’t the end, is the file still in EOF state ?

  According to my Linux desktop :

  open file ;          feof() = 0
  seek to end ;        feof() = 0
  read one more byte ; feof() = 1
  seek back to start ; feof() = 0
  

  According to KallistiOS :

  open file ;          feof() = 0
  seek to end ;        feof() = 0
  read one more byte ; feof() = 1
  seek back to start ; feof() = 1
  

  Here’s the seek-test.c program I used to test this issue :

  PLAIN TEXT

  C :

  1. #include <stdio .h>
  2.  
  3. int main()
  4. {
  5.   FILE *f ;
  6.   unsigned char byte ;
  7.  
  8.   f = fopen("seek_test.c", "r") ;
  9.   printf("open file ;     feof() = %d\n", feof(f)) ;
  10.   fseek(f, 0, SEEK_END) ;
  11.   printf("seek to end ;    feof() = %d\n", feof(f)) ;
  12.   fread(&byte, 1, 1, f) ;
  13.   printf("read one more byte ; feof() = %d\n", feof(f)) ;
  14.   fseek(f, 0, SEEK_SET) ;
  15.   printf("seek back to start ; feof() = %d\n", feof(f)) ;
  16.   fclose(f) ;
  17.  
  18.   return 0 ;
  19. }

  EOF
  Speaking of EOF, I’m about done for this evening.

  What codec would you select for this task, given the requirements involved ?

• FFmpeg decode H264 video too slowly

  17 décembre 2012, par user1158196

  I am currently working on a project on iPhone using FFMpeg. I can decode all the formats I need but when I want to play a h264 video, ffmpeg decodes frames too slowly.

  I tried to see where the problem is. I think that the options from the compilation of the library are good, decoding and displaying the frames are made ​​on different threads. In the end, it seems that it is the function avcodec_decode_video2 that takes too long (3 to 4 seconds to decode 30 frames).

• Naive Sorenson Video 1 Encoder

  12 septembre 2010, par Multimedia Mike — General

  (Yes, the word is “naive” — or rather, “naïve” — not “native”. People always try to correct me when I use the word. Indeed, it should actually be written with 2 dots over the ‘i’ but who has a keyboard that can easily do that ?)

  At the most primitive level, programming a video encoder is about writing out a sequence of bits that the corresponding video decoder will understand. It’s sort of like creating a program — represented as a stream of opcodes — that will run on a given microprocessor or virtual machine. In fact, reading a video codec bitstream specification will reveal a lot of terminology along the lines of “transmitting information to the decoder” or “signaling the decoder to do xyz.”

  Creating a good encoder that will deliver decent quality at a reasonable bitrate is difficult. Creating a naive encoder that produces a technically compliant bitstream, not so much.

  
  
  

  When I wrote an FFmpeg encoder for Sorenson Video 1 (SVQ1), the first step was to just create a minimally compliant bitstream. The coarsest encoding mode that SVQ1 allows is to encode the average (mean) of each 16×16 block of samples. So I created an encoder that just encoded the mean of each block. Apple’s QuickTime Player was able to play the resulting video in all of its blocky glory. The result rather reminds me of the Super Nintendo’s mosaic effect.

  Level 5 blocks (mean-only 16×16 encoding) :
  

  
  
  

  Level 3 blocks (mean-only 8×8 encoding) :
  

  
  
  

  It’s one thing for your own decoder (in this case, FFmpeg’s own decoder) to be able to decode the data. The big test is whether the official decoder (in this case, Apple QuickTime Player) can decode the file.

  
  
  

  Now that’s a good feeling. After establishing that sort of baseline, it’s possible to adapt more and more features of the codec.