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• Dreamcast Development Desktop

  28 mars 2011, par Multimedia Mike — Sega Dreamcast

  Some people are curious about what kind of equipment is required to program a Sega Dreamcast. This is my setup :

  
  
  

  It’s a bit overcomplicated. The only piece in that picture which doesn’t play a role in the Dreamcast development process is the scanner. The Eee PC does the heavy lifting of development (i.e., text editing and cross compilation) and uploads to the Dreamcast via a special serial cable. Those are the most essential parts and are really the only pieces necessary for a lot of algorithmic stuff (things that can be validated via a serial console). But then I have to go up a level where I output video. That’s where things get messy.

  
  
  

  The Mac Mini and giant monitor really just act as a glorified TV in this case. Ideally, it will be more than that. The DC outputs audio and video via composite cables to a Canopus DV capture bridge. That’s connected via FireWire to the external hard drive underneath the Mac Mini, which is connected to the Mac. Adobe Premiere Pro handles the DV capture / display.

  One day I hope to have something worthwhile to capture.

• ffprobe to bitrate variable stopped working

  6 novembre 2023, par Bricktop

  I have a simple script to encode a video using the same bitrate as the original. I use ffprobe to fetch the bitrate like this :

  


  ffprobe "%file%" -v 0 -select_streams v:0 -show_entries stream=bit_rate -print_format compact=p=0:nokey=1 >%temp%\bitrate.txt


  


  However, while fixing a but in the script where I had an odd number of " marks, I suddenly ran into this problem with ffprobe :

  


  Argument ' -v 0 -select_streams v:0 -show_entries stream=bit_rate -print_format compact=p=0:nokey=1 >C:\Users\ADMINI~1\AppData\Local\Temp\bitrate.txt' provided as input filename, but 'D:\VIDEO\AMBIANCE\SCOPITONE\MUSIC TELEVISION\This Here - Calm - OFFICIAL VIDEO (1080p 25fps AV1-128kbit AAC).mp4' was already specified.


  


  I am trying to understand this, scanning insanely for yet another " or something in my code but can't figure it out. Here is the full code :

  


  :: write file to queue (first)
move /y "%~dpn0.txt" "%temp%\%~n0.tmp" >nul
echo "%~1" >"%~dpn0.txt"
type "%temp%\%~n0.tmp" >>"%~dpn0.txt"

:: desyncronize instances (todo: try support for adding 9 files at a time)
timeout /t %time:~9,1% /nobreak
:: if not first instance exit
tasklist /fi "imagename eq handbrakecli.exe" | find /i "handbrakecli" && exit
title Transcode

:: delegate queue
for /f "delims=" %%f in (%~dpn0.txt) do (
    set "name=%%~nf"
    set "file=%%~f"
    rem todo: if file has x264 or other video codec mentioned, change to x265
    set "code=%%~dpnf (x265 transcoded)%%~xf"
    call :transcode
)
echo all done!
exit /b

:transcode
title "%name%"
if not exist "%file%" echo %date% %time% source file missing %file% >>%~dpn0.log & goto cleanup
if exist "%code%" echo %date% %time% target file exists %file% >>%~dpn0.log & goto cleanup

:: determine appropriate bitrate (does not seem to work on .webm files, closing the script as a result)
%~dp0ffprobe "%file%" -v 0 -select_streams v:0 -show_entries stream=bit_rate -print_format compact=p=0:nokey=1 >%temp%\bitrate.txt
set /p bitrate=<%temp%\bitrate.txt
:: reduce to full kilobytes
set "bitrate=%bitrate:~0,-3%"
if not defined bitrate echo failed to fetch bitrate & echo %date% %time% no bitrate for %file% >>%~dpn0.log & exit /b
if %bitrate% gtr 7000 set bitrate=7000

:: transcode
%~dp0HandBrakeCLI -i "%file%" -o "%code%" --encoder x265_10bit --encoder-preset slow --encoder-profile main444-10 --vb %bitrate% --two-pass --turbo --audio 1-9 --aencoder copy --audio-copy-mask aac,ac3,mp2,mp3,opus --audio-fallback opus --ab 160 --drc 2.0

:: remove current file from queue, regardless
:cleanup
findstr /v /c:"%file%" "%~dpn0.txt" >"%temp%\%~n0.tmp"
move /y "%temp%\%~n0.tmp" "%~dpn0.txt"


  


  It appears that the set "file=%%~f" is the problem, somehow it shows up as set "file=D:\VIDEO\this video here.mp4" " where the last two characters " should not belong, and I don't know what to change to fix this.

  


  Every type of improvement to the script is very welcomed !

  


• Why iFrame is a good idea

  15 octobre 2009

  I’ve seen some hilariously uninformed posts about the new Apple iFrame specification. Let me take a minute to explain what it actually is.

  First off, as opposed to what the fellow in the Washington Post writes, it’s not really a new format. iFrame is just a way of using formats that we’ve already know and love. As the name suggests, iFrame is just an i-frame only H.264 specification, using AAC audio. An intraframe version of H.264 eh ? Sounds a lot like AVC-Intra, right ? Exactly. And for exactly the same reasons - edit-ability. Whereas AVC-Intra targets the high end, iFrame targets the low end.

  Even when used in intraframe mode, H.264 has some huge advantage over the older intraframe codecs like DV or DVCProHD. For example, significantly better entropy coding, adaptive quantization, and potentially variable bitrates. There are many others. Essentially, it’s what happens when you take DV and spend another 10 years working on making it better. That’s why Panasonic’s AVC-Intra cameras can do DVCProHD quality video at half (or less) the bitrate.

  Why does iFrame matter for editing ? Anyone who’s tried to edit video from one of the modern H.264 cameras without first transcoding to an intraframe format has experienced the huge CPU demands and sluggish performance. Behind the scenes it’s even worse. Because interframe H.264 can have very long GOPs, displaying any single frame can rely on dozens or even hundreds of other frames. Because of the complexity of H.264, building these frames is very high-cost. And it’s a variable cost. Decoding the first frame in a GOP is relatively trivial, while decoding the middle B-frame can be hugely expensive.

  Programs like iMovie mask that from the user in some cases, but at the expensive of high overhead. But, anyone who’s imported AVC-HD video into Final Cut Pro or iMovie knows that there’s a long "importing" step - behind the scenes, the applications are transcoding your video into an intraframe format, like Apple Intermediate or ProRes. It sort of defeats one of the main purposes of a file-based workflow.

  You’ve also probably noticed the amount of time it takes to export a video in an interframe format. Anyone who’s edited HDV in Final Cut Pro has experienced this. With DV, doing an "export to quicktime" is simply a matter of Final Cut Pro rewriting all of the data to disk - it’s essentially a file copy. With HDV, Final Cut Pro has to do a complete reencode of the whole timeline, to fit everything into the new GOP structure. Not only is this time consuming, but it’s essentially a generation loss.

  iFrame solves these issues by giving you an intraframe codec, with modern efficiency, which can be decoded by any of the H.264 decoders that we already know and love.

  Having this as an optional setting on cameras is a huge step forward for folks interested in editing video. Hopefully some of the manufacturers of AVC-HD cameras will adopt this format as well. I’ll gladly trade a little resolution for instant edit-ability.