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• Alias Artifacts

  26 avril 2013, par Multimedia Mike — General

  Throughout my own life, I have often observed that my own sense of nostalgia has a window that stretches about 10-15 years past from the current moment. Earlier this year, I discovered the show “Alias” and watched through the entire series thanks to Amazon Prime Instant Video (to be fair, I sort of skimmed the fifth and final season which I found to be horribly dull, or maybe franchise fatigue had set in). The show originally aired from 2001-2006 so I found that it fit well within the aforementioned nostalgia window.

  
  
  

  But what was it, exactly, about the show that triggered nostalgia ? The computers, of course ! The show revolved around spies and espionage and cutting-edge technology necessarily played a role. The production designer for the series must have decided that Unix/Linux == awesome hacking and so many screenshots featured Linux.

  Since this is still nominally a multimedia blog, I’ll start of the screenshot recon with an old multimedia player. Here is a vintage Mac OS desktop running an ancient web browser (probably Netscape) that’s playing a full-window video (probably QuickTime embedded directly into the browser).

  
  

  

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  Let’s jump right into the Linux side of things. This screenshot makes me particularly sentimental since this is exactly what a stock Linux/KDE desktop looked like circa 2001-2003 and is more or less what I would have worked with on my home computer at the time :

  
  

  

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  Studying that screenshot, we see that the user logs in as root, even to the desktop environment. Poor security practice ; I would expect better from a bunch of spooks.

  Echelon
  Look at the terminal output in the above screenshot– it’s building a program named Echelon, an omniscient spy tool inspired by a real-world surveillance network of the same name. In the show, Echelon is used to supply plot-convenient intelligence. At one point, some antagonists get their hands on the Echelon source code and seek to compile it. When they do, they will have access to the vast surveillance network. If you know anything about how computers work, don’t think about that too hard.

  Anyway, it’s interesting to note that Echelon is a properly autotool’d program– when the bad guys finally got Echelon, installation was just a ‘make install’ command away. The compilation was very user-friendly, though, as it would pop up a nice dialog box showing build progress :

  
  

  

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  Examining the build lines in both that screenshot and the following lines, we can see that Echelon cares about files such as common/db_err.c and bt_curadj.c :

  
  

  

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  A little googling reveals that these files both belong to the Berkeley DB library. That works ; I can imagine a program like this leveraging various database packages.

  Computer Languages
  The Echelon source code stuff comes from episode 2.11 : “A Higher Echelon”. While one faction had gotten a hold of the actual Echelon source code, a rival faction had abducted the show’s resident uber-nerd and, learning that they didn’t actually receive the Echelon code, force the nerd to re-write Echelon from scratch. Which he then proceeds to do…

  
  

  

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  The code he’s examining there appears to be C code that has something to do with joystick programming (JS_X_0, JS_Y_1, etc.). An eagle-eyed IMDb user contributed the trivia that he is looking at the file /usr/include/Linux/joystick.h.

  Getting back to the plot, how could the bad buys possibly expect him to re-write a hugely complex piece of software from scratch ? You might think this is the height of absurdity for a computer-oriented story. You’ll be pleased to know that the writers agreed with that assessment since, when the program was actually executed, it claimed to be Echelon, but that broke into a game of Pong (or some simple game). Suddenly, it makes perfect sense why the guy was looking at the joystick header file.

  This is the first bit of computer-oriented fun that I captured when I was watching the series :

  
  

  

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  This printout purports to be a “mainframe log summary”. After some plot-advancing text about a security issue, it proceeds to dump out some Java source code.

  SSH
  Secure Shell (SSH) frequently showed up. Here’s a screenshot in which a verbose ‘ssh -v’ connection has just been closed, while a telnet command has apparently just been launched (evidenced by “Escape character is ‘^]’.”) :

  
  

  

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  This is followed by some good old Hollywood Hacking in which a free-form database command is entered through any available command line interface :

  
  

  

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  I don’t remember the episode details, but I’m pretty sure the output made perfect sense to the character typing the command. Here’s another screenshot where the SSH client pops up an extra-large GUI dialog element to notify the user that it’s currently negotiating with the host :

  
  

  

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  Now that I look at that screenshot a little more closely, it appears to be a Win95/98 program. I wonder if there was an SSH client that actually popped up that gaudy dialog.

  There’s a lot of gibberish in this screenshot and I wish I had written down some details about what it represented according to the episode’s plot :

  
  

  

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  It almost sounds like they were trying to break into a network computer. Analyzing MD5 structure… public key synthesized. To me, the funniest feature is the 7-digit public key. I’m a bit rusty on the math of the RSA cryptosystem, but intuitively, it seems that the public and private keys need to be of roughly equal lengths. I.e., the private key in this scenario would also be 7 digits long.

  Gadgets
  Various devices and gadgets were seen at various junctures in the show. Here’s a tablet computer from back when tablet computers seemed like fantastical (albeit stylus-requiring) devices– the Fujitsu Stylistic 2300 :

  
  

  

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  Here’s a videophone from an episode that aired in 2005. The specific model is the Packet8 DV326 (MSRP of US$500). As you can see from the screenshot, it can do 384 kbps both down and up.

  
  

  

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  I really regret not writing down the episode details surrounding this gadget. I just know that it was critical that the good guys get it and keep from falling into the hands of the bad guys.

  
  

  

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  As you can see, the (presumably) deadly device contains a Samsung chip and a Lexar chip. I have to wonder what device the production crew salvaged this from (probably just an old cell phone).

  Other Programs

  The GIMP photo editor makes an appearance while scrubbing security camera footage, and serves as the magical Enhance Button (at least they slung around the term “gamma”) :

  
  

  

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  I have no idea what MacOS-based audio editing program this is. Any ideas ?

  
  

  

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  FTP shows up in episode 2.12, “The Getaway”. It’s described as a “secure channel” for communication, which is quite humorous to anyone versed in internet technology.

  
  

  

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• More Cinepak Madness

  20 octobre 2011, par Multimedia Mike — Codec Technology

  Fellow digital archaeologist Clone2727 found a possible fifth variant of the Cinepak video codec. He asked me if I cared to investigate the sample. I assured him I wouldn’t be able to die a happy multimedia nerd unless I have cataloged all possible Cinepak variants known to exist in the wild. I’m sure there are chemistry nerds out there who are ecstatic when another element is added to the periodic table. Well, that’s me, except with weird multimedia formats.

  Background
  Cinepak is a video codec that saw widespread use in the early days of digital multimedia. To date, we have cataloged 4 variants of Cinepak in the wild. This distinction is useful when trying to write and maintain an all-in-one decoder. The variants are :

  1. The standard type : Most Cinepak data falls into this category. It decodes to a modified/simplified YUV 4:2:0 planar colorspace and is often seen in AVI and QuickTime/MOV files.
  2. 8-bit greyscale : Essentially the same as the standard type but with only a Y plane. This has only been identified in AVI files and is distinguished by the file header’s video bits/pixel field being set to 8 instead of 24.
  3. 8-bit paletted : Again, this is identified by the video header specifying 8 bits/pixel for a Cinepak stream. There is essentially only a Y plane in the data, however, each 8-bit value is a palette index. The palette is transported along with the video header. To date, only one known sample of this format has even been spotted in the wild, and it’s classified as NSFW. It is also a QuickTime/MOV file.
  4. Sega/FILM CPK data : Sega Saturn games often used CPK files which stored a variant of Cinepak that, while very close the standard Cinepak, couldn’t be decoded with standard decoder components.

  So, a flexible Cinepak decoder has to identify if the file’s video header specified 8 bits/pixel. How does it distinguish between greyscale and paletted ? If a file is paletted, a custom palette should have been included with the video header. Thus, if video bits/pixel is 8 and a palette is present, use paletted ; else, use greyscale. Beyond that, the Cinepak decoder has a heuristic to determine how to handle the standard type of data, which might deviate slightly if it comes from a Sega CPK file.

  The Fifth Variant ?
  Now, regarding this fifth variant– the reason this issue came up is because of that aforementioned heuristic. Basically, a Cinepak chunk is supposed to store the length of the entire chunk in its header. The data from a Sega CPK file plays fast and loose with this chunk size and the discrepancy makes it easy to determine if the data requires special handling. However, a handful of files discovered on a Macintosh game called “The Journeyman Project : Pegasus Prime” have chunk lengths which are sometimes in disagreement with the lengths reported in the containing QuickTime file’s stsz atom. This trips the heuristic and tries to apply the CPK rules against Cinepak data which, aside from the weird chunk length, is perfectly compliant.

  Here are the first few chunk sizes, as reported by the file header (stsz atom) and the chunk :

  size from stsz = 7880 (0x1EC8) ; from header = 3940 (0xF64)
  size from stsz = 3940 (0xF64) ; from header = 3940 (0xF64)
  size from stsz = 15792 (0x3DB0) ; from header = 3948 (0xF6C)
  size from stsz = 11844 (0x2E44) ; from header = 3948 (0xF6C)
  

  Hey, there’s a pattern here. If they don’t match, then the stsz size is an even multiple of the chunk size (2x, 3x, or 4x in my observation). I suppose I could revise the heuristic to state that if the stsz size is 2x, 3x, 4x, or equal to the chunk header, qualify it as compliant Cinepak data.

  Of course it feels impure, but software engineering is rarely about programmatic purity. A decade of special cases in the FFmpeg / Libav codebases are a testament to that.

  What’s A Variant ?
  Suddenly, I find myself contemplating what truly constitutes a variant. Maybe this was just a broken encoder program making these files ? And for that, I assign it the designation of distinct variation, like some sort of special, unique showflake ?

  Then again, I documented Magic Carpet FLIC as being a distinct variant of the broader FLIC format (which has an enormous number of variants as well).

• Embed Image into video - FFMPEG or JW player ?

  18 avril 2013, par Sri Kumar

  So I thought to embed the image as part of video content while converting the m4a to mp4. The output file has the image as video content and it plays as expected in VLC but when the same was streamed from my CDN using JW player, I do not see the image as video content, still it is black and audio is heard. Not sure what is the issue with embeding. I used the FFMPEG to embed image as video content.

  On the other hand is there any posibility with JW player to overlay an image as video content while audio can be heard in back end ?