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  • Les autorisations surchargées par les plugins

    27 avril 2010, par

    Mediaspip core
    autoriser_auteur_modifier() afin que les visiteurs soient capables de modifier leurs informations sur la page d’auteurs

  • Ajouter notes et légendes aux images

    7 février 2011, par

    Pour pouvoir ajouter notes et légendes aux images, la première étape est d’installer le plugin "Légendes".
    Une fois le plugin activé, vous pouvez le configurer dans l’espace de configuration afin de modifier les droits de création / modification et de suppression des notes. Par défaut seuls les administrateurs du site peuvent ajouter des notes aux images.
    Modification lors de l’ajout d’un média
    Lors de l’ajout d’un média de type "image" un nouveau bouton apparait au dessus de la prévisualisation (...)

  • Taille des images et des logos définissables

    9 février 2011, par

    Dans beaucoup d’endroits du site, logos et images sont redimensionnées pour correspondre aux emplacements définis par les thèmes. L’ensemble des ces tailles pouvant changer d’un thème à un autre peuvent être définies directement dans le thème et éviter ainsi à l’utilisateur de devoir les configurer manuellement après avoir changé l’apparence de son site.
    Ces tailles d’images sont également disponibles dans la configuration spécifique de MediaSPIP Core. La taille maximale du logo du site en pixels, on permet (...)

Sur d’autres sites (9298)

  • How to generate SDP file from FFMPEG

    20 novembre 2016, par MobilityLab

    So, I have been working with FFMPEG on a project that involves streaming video from one computer to another across the internet with RTP. I want to take that into ffmpeg and use ffserver to display it on a local network.

    As I understand it, you need to have a SDP information so that the receiving ffmpeg instance can interpret the RTP stream. Despite what webpages say, I can not find the SDP information in the information printed to the console.

    How can I force the transmitting ffmpeg instance to output the SDP information so that I can use it to configure my receiving end ?

    Right now, I am testing on Windows 7, but the final solution will be on linux.

    The command I’m running for testing is

    ffmpeg -fflags +genpts -i files\2005-SFSD-sample-mpeg1.mpg -threads 0 -r 10 -g 45
    -s 352x240 -deinterlace -y 2005.mp4 -an -threads 0 -r 10 -g 45 -s 352x240
    -deinterlace -f rtp rtp://192.168.200.198:9008

    My ffmpeg information is...

    ffmpeg version 0.8, Copyright (c) 2000-2011 the FFmpeg developers built on Jun 23 2011 14:22:23 with gcc 4.5.3
    configuration:
    --disable-static  
    --enable-shared
    --enable-gpl  
    --enable-version3
    --enable-memalign-hack  
    --enable-runtime-cpudetect
    --enable-avisynth
    --enable-bzlib
    --enable-frei0r
    --enable-libopencore-amrnb
    --enable-libopencore-amrwb
    --enable-libfreetype
    --enable-libgsm
    --enable-libmp3lame
    --enable-libopenjpeg
    --enable-librtmp
    --enable-libschroedinger
    --enable-libspeex
    --enable-libtheora
    --enable-libvorbis
    --enable-libvpx
    --enable-libx264
    --enable-libxavs
    --enable-libxvid
    --enable-zlib
    --disable-outdev=sdl
     libavutil    51.  9. 1 / 51.  9. 1
     libavcodec   53.  7. 0 / 53.  7. 0
     libavformat  53.  4. 0 / 53.  4. 0
     libavdevice  53.  1. 1 / 53.  1. 1
     libavfilter   2. 23. 0 /  2. 23. 0
     libswscale    2.  0. 0 /  2.  0. 0
     libpostproc  51.  2. 0 / 51.  2. 0
  • On ALAC’s Open Sourcing

    1er novembre 2011, par Multimedia Mike — Codec Technology

    Apple open sourced their lossless audio codec last week. Pretty awesome ! I have a theory that, given enough time, absolutely every codec will be open source in one way or another.

    I know I shouldn’t bother reading internet conversation around any news related to multimedia technology. And if I do read it, I shouldn’t waste any effort getting annoyed about them. But here are some general corrections :

    • ALAC is not in the same league as — nor is it a suitable replacement for — MP3/AAC/Vorbis or any other commonly used perceptual audio codec. It’s not a matter of better or worse ; they’re just different families of codecs designed for different purposes.
    • Apple open sourced ALAC, not AAC– easy mistake, though there’s nothing to ‘open source’ about AAC (though people can, and will, argue about its absolute ‘open-ness’).
    • There’s not much technical room to argue between ALAC and FLAC, the leading open source lossless audio compressor. Both perform similarly in terms of codec speeds (screamingly fast) and compression efficiency (results vary slightly depending on source material).
    • Perhaps the most frustrating facet is the blithe ignorance about ALAC’s current open source status. While this event simply added an official “open source” status to the codec, ALAC has effectively been open source for a very long time. According to my notes, the ALAC decoding algorithm was reverse engineered in 2005 and added into FFmpeg in March of the same year. Then in 2008, Google — through their Summer of Code program — sponsored an open source ALAC encoder.

    From the multimedia-savvy who are versed in these concepts, the conversation revolves around which would win in a fight, ALAC or FLAC ? And who between Apple and FFmpeg/Libav has a faster ALAC decoder ? The faster and more efficient ALAC encoder ? I contend that these issues don’t really matter. If you have any experience working with lossless audio encoders, you know that they tend to be ridiculously fast to both encode and decode and that many different lossless codecs compress at roughly the same ratios.

    As for which encoder is the fastest : use whatever encoder is handiest and most familiar, either iTunes or FFmpeg/Libav.

    As for whether to use FLAC or ALAC — if you’ve already been using one or the other for years, keep on using it. Support isn’t going to vanish. If you’re deciding which to use for a new project, again, perhaps choose based on software you’re already familiar with. Also, consider hardware support– ALAC enjoys iPod support, FLAC is probably better supported in a variety of non-iPod devices, though that may change going forward due to this open sourcing event.

    For my part, I’m just ecstatic that the question of moral superiority based on open source status has been removed from the equation.

    Code-wise, I’m interested in studying the official ALAC code to see if it has any corner-case modes that the existing open source decoders don’t yet account for. The source makes mention of multichannel (i.e., greater than stereo) configurations, but I don’t know if that’s in FFmpeg/Libav.

  • Anomalie #2582 : sélecteur de couleur

    7 mars 2012, par cedric -

    non ce n’est pas un troll. Tu n’es pas sans savoir que la refonte du bandeau de navigation a été un long chantier compliqué car plein de contraintes. Il a fallu faire des choix de ce qui était utile d’avoir sous la main en permanence, compte tenu de la place disponible. Le retrait du sélecteur de (...)