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• The neutering of Google Code-In 2011

  23 octobre 2011, par Dark Shikari — development, GCI, google, x264

  Posting this from the Google Summer of Code Mentor Summit, at a session about Google Code-In !

  Google Code-In is the most innovative open-source program I’ve ever seen. It provided a way for students who had never done open source — or never even done programming — to get involved in open source work. It made it easy for people who weren’t sure of their ability, who didn’t know whether they could do open source, to get involved and realize that yes, they too could do amazing work — whether code useful to millions of people, documentation to make the code useful, translations to make it accessible, and more. Hundreds of students had a great experience, learned new things, and many stayed around in open source projects afterwards because they enjoyed it so much !

  x264 benefitted greatly from Google Code-In. Most of the high bit depth assembly code was written through GCI — literally man-weeks of work by an professional developer, done by high-schoolers who had never written assembly before ! Furthermore, we got loads of bugs fixed in ffmpeg/libav, a regression test tool, and more. And best of all, we gained a new developer : Daniel Kang, who is now a student at MIT, an x264 and libav developer, and has gotten paid work applying the skills he learned in Google Code-In !

  Some students in GCI complained about the system being “unfair”. Task difficulties were inconsistent and there were many ways to game the system to get lots of points. Some people complained about Daniel — he was completing a staggering number of tasks, so they must be too easy. Yet many of the other students considered these tasks too hard. I mean, I’m asking high school students to write hundreds of lines of complicated assembly code in one of the world’s most complicated instruction sets, and optimize it to meet extremely strict code-review standards ! Of course, there may have been valid complaints about other projects : I did hear from many students talking about gaming the system and finding the easiest, most “profitable” tasks. Though, with the payout capped at $500, the only prize for gaming the system is a high rank on the points list.

  According to people at the session, in an effort to make GCI more “fair”, Google has decided to change the system. There are two big changes they’re making.

  Firstly, Google is requiring projects to submit tasks on only two dates : the start, and the halfway point. But in Google Code-In, we certainly had no idea at the start what types of tasks would be the most popular — or new ideas that came up over time. Often students would come up with ideas for tasks, which we could then add ! A waterfall-style plan-everything-in-advance model does not work for real-world coding. The halfway point addition may solve this somewhat, but this is still going to dramatically reduce the number of ideas that can be proposed as tasks.

  Secondly, Google is requiring projects to submit at least 5 tasks of each category just to apply. Quality assurance, translation, documentation, coding, outreach, training, user interface, and research. For large projects like Gnome, this is easy : they can certainly come up with 5 for each on such a large, general project. But often for a small, focused project, some of these are completely irrelevant. This rules out a huge number of smaller projects that just don’t have relevant work in all these categories. x264 may be saved here : as we work under the Videolan umbrella, we’ll likely be able to fudge enough tasks from Videolan to cover the gaps. But for hundreds of other organizations, they are going to be out of luck. It would make more sense to require, say, 5 out of 8 of the categories, to allow some flexibility, while still encouraging interesting non-coding tasks.

  For example, what’s “user interface” for a software library with a stable API, say, a libc ? Can you make 5 tasks out of it that are actually useful ?

  If x264 applied on its own, could you come up with 5 real, meaningful tasks in each category for it ? It might be possible, but it’d require a lot of stretching.

  How many smaller or more-focused projects do you think are going to give up and not apply because of this ?

  Is GCI supposed to be something for everyone, or just or Gnome, KDE, and other megaprojects ?

• Space Adventure CD-ROM

  1er octobre 2011, par Multimedia Mike — Game Hacking

  I acquired a CD-ROM entitled Space Adventure by Knowledge Adventure (I like these people ; they make decent, entertaining educational games). The physical media displays a copyright date of 1993, very early in the multimedia era.

  
  
  

  This 1993 CD-ROM makes proud use of multimedia files. What kind ? There’s a movies/ directory with 17 .mov files. It would be way too simple if these were QuickTime files, though. These represent a custom format, and video-only since a separate sounds/ directory contains .snd files with filenames corresponding to the .mov files. The .snd files are actually Creative Voice (a.k.a. VOC) files. As for this MOV format, wiki page and samples.

  
  
  

  I was also surprised to find the binary ultrasnd.exe file among the drivers on the disc. The Gravis UltraSound was released in 1992. The sound setup utility does not have an option for the GUS, however. No matter since DOSBox has great SB/Pro/16 emulation.

  I’m also a bit puzzled about why the DOSBox screenshots are 720 x 480 (posted here are various cropping and resizings).

• WebVTT Discussions at FOMS

  1er janvier 2014, par silvia

  At the recent FOMS (Foundations of Open Media Software and Standards) Developer Workshop, we had a massive focus on WebVTT and the state of its feature set. You will find links to summaries of the individual discussions in the FOMS Schedule page. Here are some of the key results I went away with.

  1. WebVTT Regions

  The key driving force for improvements to WebVTT continues to be the accurate representation of CEA608/708 captioning. As part of that drive, we’ve introduced regions (the CEA708 “window” concept) to WebVTT. WebVTT regions satisfy multiple requirements of CEA608/708 captions :

  1. support for rollup captions
  2. support for background color and border color on a group of cues independent of the background color of the individual cue
  3. possibility to move a group of cues from one location on screen to a different
  4. support to specify an anchor point and a growth direction for cues when their text size changes
  5. support for specifying a fixed number of lines to be rendered
  6. possibility to specify which region is rendered in front of which other one when regions overlap

  While WebVTT regions enable us to satisfy all of the above points, the specification isn’t actually complete yet and some of the above needs aren’t satisfied yet.

  We have an open bug to move a region elsewhere. A first discussion at FOMS seemed to to indicate that we’ll have to add syntax for updating a region at a particular time and thus give region definitions a way to be valid only for a certain time frame. I can imagine that the region definitions that we have in the header of the WebVTT file now would have an implicitly defined time frame from the start to the end of the file, but can be overruled by a re-definition anywhere within the WebVTT file. That redefinition needs to provide a start and end time.

  We registered a bug to add specifying the width and height of regions (and possibly of cues) by em (i.e. by multiples of the largest character in a font). This should allow us to have the region grow/shrink around the region anchor point with a change of font size by script or a user. em specifications should also be applied to cues – that matches the column count of CEA708/608 better.

  When regions overlap, the original region extension spec already suggested a “layer” cue setting. It will be easy to add it.

  Another change that we will ultimately need is the “scroll” setting : we will need to introduce support for scrolling text down or from left-to-right or right-to-left, e.g. vertical scrolling text seems to be used in some Chinese caption use cases.

  2. Unify Rendering Approach

  The introduction of regions created a second code path in the rendering spec with some duplication. At FOMS we discussed if it was possible to unify that. The suggestion is to render all cues into a region. Those that are not part of a region would be rendered into an anonymous region that covers the complete viewport. There may be some consequences to this, e.g. cue settings should be usable across all cues, no matter whether or not part of a region, and avoiding cue overlap may need to be done within regions.

  Here’s a rough outline of the path of the new rendering algorithm :

  (1) Render the regions :

  Specified Region	Anonymous Region
  Render values as given :	Render following values :
  width lines regionanchor viewportanchor scroll	100% videoheight/lineheight 0,0 0,0 none

  (2) Render the cues :

  • Create a cue box and put it in its region (anonymous if none given).
  • Calculate position & size of cue box from cue settings (position, line, size).
  • Calculate position of cue text inside cue box from remaining cue settings (vertical, align).

  3. Vertical Features

  WebVTT includes vertical rendering, both right-to-left and left-to-right. However, regions are not defined for vertical. Eventually, we’re going to have to look at the vertical features of WebVTT with more details and figure out whether the spec is working for them and what real-world requirements we have missed. We hope we can get some help from users in countries where vertically rendered captions/subtitles are the norm.

  4. Best Practices

  Some of he WebVTT users at FOMS suggested it would be advantageous to start a list of “best practices” for how to author captions with WebVTT. Example recommendations are :

  • Use line numbers only to position cues from top or bottom of viewport. Don’t use otherwise.
  • Note that when the user increases the fontsize in rollup captions and thus introduces new line breaks, your cues will roll by faster because the number of lines of a rollup is fixed.
  • Make sure to use &lrm ; and &rlm ; UTF-8 markers to control the directionality of your text.

  It would be nice if somebody started such a document.

  5. Non-caption use cases

  Instead of continuing to look back and improve our support of captions/subtitles in WebVTT, one session at FOMS also went ahead and looked forward to other use cases. The following requirements came out of this :

  5.1 Preview Thumbnails

  A common use case for timed data is the use of preview thumbnails on the navigation bar of videos. A native implementation of preview thumbnails would allow crawlers and search engines to have a standardised way of extracting timed images for media files, so introduction of a new @kind value “thumbnails” was suggested.

  The content of a “thumbnails” cue could be any of :

  • an image URL
  • a sprite URL to a single image
  • a spatial & temporal media fragment URL to a media resource
  • base64 encoded image (data URI)
  • an iframe offset to the media resource

  The suggestion is to allow anything that would work in a img @src attribute as value in a cue of @kind=”thumbnails”. Responsive images might also be useful for a track of @kind=”thumbnails”. It may even be possible to define an inband thumbnail track based on the track of @kind=”thumbnails”. Such cues should also work in the JavaScript track API.

  5.2 Chapter markers

  There is interest to put richer content than just a chapter title into chapter cues. Often, chapters consist of a title, text and and image. The text is not so important, but the image is used almost everywhere that chapters are used. There may be a need to extend chapter cue content with images, similar to what a @kind=”thumbnails” track offers.

  The conclusion that we arrived at was that we need to make @kind=”thumbnails” work first and then look at using the learnings from that to extend @kind=”chapters”.

  5.3 Inband tracks for live video

  A difficult topic was opened with the question of how to transport text tracks in live video. In live captioning, end times are never created for cues, but are implied by the start time of the next cue. This is a use case that hasn’t been addressed in HTML5/WebVTT yet. An old proposal to allow a special end time value of “NEXT” was discussed and recommended for adoption. Also, there was support for the spec change that stops blocking loading VTT until all cues have been loaded.

  5.4 Cross-domain VTT loading

  A brief discussion centered around the fact that the spec disallows cross-domain loading of WebVTT files, but that no browser implements this. This needs to be discussion at the HTML WG level.

  6. Regions in live captioning

  The final topic that we discussed was how we could provide support for regions in live captioning.

  • The currently active region definitions will need to be come part of every header of every VTT file segment that HLS uses, so it’s available in case the cues in the segment file reference it.
  • “NEXT” in end time markers would make authoring of live captioned VTT files easier.
  • If the application wants to use 1 word at a time and doesn’t want to delay sending the word until the full cue is authored (e.g. in a Hangout type environment), we will need to introduce the concept of “cue continuation markers”, so we know that a cue could be extended with the next VTT file fragment.

  This is an extensive and impressive amount of discussion around WebVTT and a lot of new work to be performed in the future. I’m very grateful for all the people who have contributed to these discussions at FOMS and will hopefully continue to help get the specifications right.