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  • Contribute to documentation

    13 avril 2011

    Documentation is vital to the development of improved technical capabilities.
    MediaSPIP welcomes documentation by users as well as developers - including : critique of existing features and functions articles contributed by developers, administrators, content producers and editors screenshots to illustrate the above translations of existing documentation into other languages
    To contribute, register to the project users’ mailing (...)

  • Selection of projects using MediaSPIP

    2 mai 2011, par

    The examples below are representative elements of MediaSPIP specific uses for specific projects.
    MediaSPIP farm @ Infini
    The non profit organizationInfini develops hospitality activities, internet access point, training, realizing innovative projects in the field of information and communication technologies and Communication, and hosting of websites. It plays a unique and prominent role in the Brest (France) area, at the national level, among the half-dozen such association. Its members (...)

  • Use, discuss, criticize

    13 avril 2011, par

    Talk to people directly involved in MediaSPIP’s development, or to people around you who could use MediaSPIP to share, enhance or develop their creative projects.
    The bigger the community, the more MediaSPIP’s potential will be explored and the faster the software will evolve.
    A discussion list is available for all exchanges between users.

Sur d’autres sites (4035)

  • x264 CLI crash while encoding [migrated]

    28 août 2011, par Ithilion

    i'm having hard time with x264 CLI encoding.
    I'm trying to encode a blu-ray source (8gb .m2ts file) into a mp4 video, but x264.exe keeps always crashing at approximately 20% progress.

    This is the Avisynth script i'm using :

    Source="C:\Ithilion\Temp\Editing\Anime\input.m2ts"
    V=FFVideoSource(Source,fpsnum=24000,fpsden=1001)
    A=FFAudioSource(Source)
    AudioDub(V,A)

    GradFun2DBmod(str=1.2)

    aWarpSharp2(depth=20)
    LimitedSharpenFaster(strength=255)

    TextSub("C:\Ithilion\Temp\Editing\Anime\subs1.ass")
    TextSub("C:\Ithilion\Temp\Editing\Anime\subs2.ass")

    These are the commands i'm using for the encode :

    x264 --profile high10 --level 5.1 --crf 23 --bframes 10 --b-adapt 2 --direct auto
    --me umh --merange 24 --partitions all --rc-lookahead 60 --ref 16 --subme 10
    --trellis 2 --deblock -2:-2 --psy-rd 0.6:0.0 --aq-strength 1 --acodec aac
    --abitrate 256 --output "output.mp4" "input.avs"

    This is the error i get :

    Name of the application that generated the error: x264.exe, Version: 0.0.0.0, time stamp: 0x4e427829
    Module name that generated the error: KERNELBASE.dll, Version: 6.1.7601.17651, time stamp: 0x4e211319
    Exception Code: 0xc00000fd
    Fault offset 0x0000b9bc
    Process ID that generated the error: 0xaac
    Start time of the application that generated the error: 0x01cc64e7f962548a
    Path to the application that generated the error: C:\Ithilion\Temp\Editing\x264\x264.exe
    Path of the module that generated the error: C:\Windows\syswow64\KERNELBASE.dll
    ID alert: a702ec4e-d0e7-11e0-b4d3-0023547ccfc5

    I'm running Win7 64 on a Q9400 @3200mHz with 4 GB RAM

    Thanks in advance for your support
    Best regards

  • A Better Process Runner

    1er janvier 2011, par Multimedia Mike — Python

    I was recently processing a huge corpus of data. It went like this : For each file in a large set, run 'cmdline-tool <file>', capture the output and log results to a database, including whether the tool crashed. I wrote it in Python. I have done this exact type of the thing enough times in Python that I’m starting to notice a pattern.

    Every time I start writing such a program, I always begin with using Python’s commands module because it’s the easiest thing to do. Then I always have to abandon the module when I remember the hard way that whatever ’cmdline-tool’ is, it might run errant and try to execute forever. That’s when I import (rather, copy over) my process runner from FATE, the one that is able to kill a process after it has been running too long. I have used this module enough times that I wonder if I should spin it off into a new Python module.

    Or maybe I’m going about this the wrong way. Perhaps when the data set reaches a certain size, I’m really supposed to throw it on some kind of distributed cluster rather than task it to a Python script (a multithreaded one, to be sure, but one that runs on a single machine). Running the job on a distributed architecture wouldn’t obviate the need for such early termination. But hopefully, such architectures already have that functionality built in. It’s something to research in the new year.

    I guess there are also process limits, enforced by the shell. I don’t think I have ever gotten those to work correctly, though.

  • Basic Video Palette Conversion

    20 août 2011, par Multimedia Mike — General, Python

    How do you take a 24-bit RGB image and convert it to an 8-bit paletted image for the purpose of compression using a codec that requires 8-bit input images ? Seems simple enough and that’s what I’m tackling in this post.

    Ask FFmpeg/Libav To Do It
    Ideally, FFmpeg / Libav should be able to handle this automatically. Indeed, FFmpeg used to be able to, at least at the time I wrote this post about ZMBV and was unhappy with FFmpeg’s default results. Somewhere along the line, FFmpeg and Libav lost the ability to do this. I suspect it got removed during some swscale refactoring.

    Still, there’s no telling if the old system would have computed palettes correctly for QuickTime files.

    Distance Approach
    When I started writing my SMC video encoder, I needed to convert RGB (from PNG files) to PAL8 colorspace. The path of least resistance was to match the pixels in the input image to the default 256-color palette that QuickTime assumes (and is hardcoded into FFmpeg/Libav).

    How to perform the matching ? Find the palette entry that is closest to a given input pixel, where "closest" is the minimum distance as computed by the usual distance formula (square root of the sum of the squares of the diffs of all the components).



    That means for each pixel in an image, check the pixel against 256 palette entries (early termination is possible if an acceptable threshold is met). As you might imagine, this can be a bit time-consuming. I wondered about a faster approach...

    Lookup Table
    I think this is the approach that FFmpeg used to use, but I went and derived it for myself after studying the default QuickTime palette table. There’s a pattern there— all of the RGB entries are comprised of combinations of 6 values — 0x00, 0x33, 0x66, 0x99, 0xCC, and 0xFF. If you mix and match these for red, green, and blue values, you come up with 6 * 6 * 6 = 216 different colors. This happens to be identical to the web-safe color palette.

    The first (0th) entry in the table is (FF, FF, FF), followed by (FF, FF, CC), (FF, FF, 99), and on down to (FF, FF, 00) when the green component gets knocked down and step and the next color is (FF, CC, FF). The first 36 palette entries in the table all have a red component of 0xFF. Thus, if an input RGB pixel has a red color closest to 0xFF, it must map to one of those first 36 entries.

    I created a table which maps indices 0..215 to values from 5..0. Each of the R, G, and B components of an input pixel are used to index into this table and derive 3 indices ri, gi, and bi. Finally, the index into the palette table is given by :

      index = ri * 36 + gi * 6 + bi
    

    For example, the pixel (0xFE, 0xFE, 0x01) would yield ri, gi, and bi values of 0, 0, and 5. Therefore :

      index = 0 * 36 + 0 * 6 + 5
    

    The palette index is 5, which maps to color (0xFF, 0xFF, 0x00).

    Validation
    So I was pretty pleased with myself for coming up with that. Now, ideally, swapping out one algorithm for another in my SMC encoder should yield identical results. That wasn’t the case, initially.

    One problem is that the regulation QuickTime palette actually has 40 more entries above and beyond the typical 216-entry color cube (rounding out the grand total of 256 colors). Thus, using the distance approach with the full default table provides for a little more accuracy.

    However, there still seems to be a problem. Let’s check our old standby, the Big Buck Bunny logo image :



    Distance approach using the full 256-color QuickTime default palette


    Distance approach using the 216-color palette


    Table lookup approach using the 216-color palette

    I can’t quite account for that big red splotch there. That’s the most notable difference between images 1 and 2 and the only visible difference between images 2 and 3.

    To prove to myself that the distance approach is equivalent to the table approach, I wrote a Python script to iterate through all possible RGB combinations and verify the equivalence. If you’re not up on your base 2 math, that’s 224 or 16,777,216 colors to run through. I used Python’s multiprocessing module to great effect and really maximized a Core i7 CPU with 8 hardware threads.

    So I’m confident that the palette conversion techniques are sound. The red spot is probably attributable to a bug in my WIP SMC encoder.

    Source Code
    Update August 23, 2011 : Here’s the Python code I used for proving equivalence between the 2 approaches. In terms of leveraging multiple CPUs, it’s possibly the best program I have written to date.

    PYTHON :
    1. # !/usr/bin/python
    2.  
    3. from multiprocessing import Pool
    4.  
    5. palette = []
    6. pal8_table = []
    7.  
    8. def process_r(r) :
    9.  counts = []
    10.  
    11.  for i in xrange(216) :
    12.   counts.append(0)
    13.  
    14.  print "r = %d" % (r)
    15.  for g in xrange(256) :
    16.   for b in xrange(256) :
    17.    min_dsqrd = 0xFFFFFFFF
    18.    best_index = 0
    19.    for i in xrange(len(palette)) :
    20.     dr = palette[i][0] - r
    21.     dg = palette[i][1] - g
    22.     db = palette[i][2] - b
    23.     dsqrd = dr * dr + dg * dg + db * db
    24.     if dsqrd <min_dsqrd :
    25.      min_dsqrd = dsqrd
    26.      best_index = i
    27.    counts[best_index] += 1
    28.  
    29.    # check if the distance approach deviates from the table-based approach
    30.    i = best_index
    31.    r = palette[i][0]
    32.    g = palette[i][1]
    33.    b = palette[i][2]
    34.    ri = pal8_table[r]
    35.    gi = pal8_table[g]
    36.    bi = pal8_table[b]
    37.    table_index = ri * 36 + gi * 6 + bi ;
    38.    if table_index != best_index :
    39.     print "(0x%02X 0x%02X 0x%02X) : distance index = %d, table index = %d" % (r, g, b, best_index, table_index)
    40.  
    41.  return counts
    42.  
    43. if __name__ == ’__main__’ :
    44.  counts = []
    45.  for i in xrange(216) :
    46.   counts.append(0)
    47.  
    48.  # initialize reference palette
    49.  color_steps = [ 0xFF, 0xCC, 0x99, 0x66, 0x33, 0x00 ]
    50.  for r in color_steps :
    51.   for g in color_steps :
    52.    for b in color_steps :
    53.     palette.append([r, g, b])
    54.  
    55.  # initialize palette conversion table
    56.  for i in range(0, 26) :
    57.   pal8_table.append(5)
    58.  for i in range(26, 77) :
    59.   pal8_table.append(4)
    60.  for i in range(77, 128) :
    61.   pal8_table.append(3)
    62.  for i in range(128, 179) :
    63.   pal8_table.append(2)
    64.  for i in range(179, 230) :
    65.   pal8_table.append(1)
    66.  for i in range(230, 256) :
    67.   pal8_table.append(0)
    68.  
    69.  # create a pool of worker threads and break up the overall job
    70.  pool = Pool()
    71.  it = pool.imap_unordered(process_r, range(256))
    72.  try :
    73.   while 1 :
    74.    partial_counts = it.next()
    75.    for i in xrange(216) :
    76.     counts[i] += partial_counts[i]
    77.  except StopIteration :
    78.   pass
    79.  
    80.  print "index, count, red, green, blue"
    81.  for i in xrange(len(counts)) :
    82.   print "%d, %d, %d, %d, %d" % (i, counts[i], palette[i][0], palette[i][1], palette[i][2])