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• NAB 2010 wrapup

  15 avril 2010

  Another year of NAB has come and gone. Making it out of Vegas with some remaining faith in humanity seems like a successful outcome. So, anything worth talking about at the show ?

  First off, there’s 3d. 3D is The Next Big Thing, and that was obvious to anyone who spent half a second on the show floor. Everything from camera rigs, to post production apps, to display technology was all 3d, all the time. I’m not a huge fan of 3d in most cases, but the industry is at least feigning interest.

  Luckily, at a show as big as NAB, there’s plenty of other cool stuff to see. So, what struck my fancy ?

  First off, Avid and Adobe were showing new versions of Media Composer and Premiere. Both sounded pretty amazing on paper, but I must say I was somewhat underwhelmed by both in reality. Premiere felt a little rough around the edges - the Mercurial Engine wasn’t the sort of next generation tech that I expected. Media Composer 5 has some nice new tweaks, but it’s still rather Avid-y - which is good for Avid people, less interesting for the rest of us.

  In other software news, Blackmagic Design was showing off some of what they’re doing with the DaVinci technology that they acquired. Software-only Da Vinci Resolve for $999 is a pretty amazing deal, and the demos were quite nice. That said, color correction is an art, so just making the technology cheaper isn’t necessarily going to dramatically change the number of folks who do it well - see Color.

  Blackmagic also has a pile of new USB 3.0 hardware devices, including the absolutely gorgeous UltraStudio Pro. Makes me pine for USB 3.0 on the mac.

  On the production side, we saw new cameras from just about everyone. To start at the high end, the Arri Alexa was absolutely stunning. Perhaps the nicest digital cinema footage I’ve seen. Not only that, but they’ve worked out a usable workflow, recording to ProRes plus RAW. At the price point they’re promising, the world is going to get a lot more difficult for RED.

  Sony’s new XDCam EX gear is another good step forward for that format. Nothing groundbreaking, but another nice progression. I was kind of hoping we’d see 4:2:2 EX gear from them, but I suppose they need to justify the disc based formats for a while longer.

  The Panasonic AG-AF100 is another interesting camera, bringing micro 4/3rds into video. The only strange thing is the recording side - AVCHD to SD cards. While I’m thrilled to see them using SD instead of P2, it sure would have been nice to have an AVCIntra option.

  Finally, Canon’s 4:2:2 XF cams are a nice option for the ENG/EFP market. Nothing groundbreaking, aside from the extra color sampling, but it’s a nice step up from what they’ve been doing.

  Speaking of Canon, it’s interesting to see the ways that the 5d and 7d have made their way into mainstream filmmaking. At one point, I thought they’d be relegated to the indie community - folks looking for nice DoF on a budget. Instead, they seem to have been adopted by a huge range of productions, from episodic TV to features. While they’re not right for everyone, the price and quality make them an easy choice in many cases.

  One of the stars of the show for me was the GoPro, a small waterproof HD camera that ships with a variety of mounts, designed to be used in places where you couldn’t or wouldn’t use a more full featured camera. No LCD, just a record button and a wide angle lens. I bought two.

  Those are the things that stand out for me. While there was plenty of interesting stuff to be seen, given the current economic conditions at the University, I wasn’t exactly in a shopping mindset. The show definitely felt more optimistic than it did last year, and companies are again pushing out new products. However, attendances was about 20% lower than 2008, and that was definitely noticeable on the show floor.

• c++ mp3 library

  31 mai 2012, par user1288043

  I am exhausted searching for a c++ mp3 decoding library, preferably free (like lgpl) and cross-platform or for windows and mac. Can anyone suggest such library and post some tutorial for using it ?
  ffmpeg and sdl (sdl_sound, sdl_mixer) aren't compiling. I am unable to get mpg123 working - is it for linux world only or what ? Is there some tutorial on using mpg123 on windows ? mpg123 is unable to find some symbols that is I am not putting some dll's at right path - but which ?

  Overall, I want be able to read and write all major audio file formats on windows and mac - starting with windows.

• Announcing TMPGEnc 4 : now with x264 !

  26 novembre 2010, par Dark Shikari — commercial, japan, licensing, x264

  A few months ago, we announced a commercial licensing program so that even companies unable to use GPL software in their products have a chance to use the open source x264 instead of proprietary alternatives. The system worked on two basic concepts. First, all licensees would still be required to give their changes to x264 back to us : x264 must forever remain free, with no useful contributions kept hidden from the community. Second, all the profits would go directly back to x264, primarily to the developers who’ve made the most significant contributions to x264 over the years, but also to funding future development, bounties for new features, as well as contributing to other related projects (e.g. Videolan and ffmpeg).

  Over the past couple of months, we’ve gotten an enormous response ; over 40 companies have inquired about licensing, with more contacting us every day. Due to the sheer volume of interest, we’ve partnered with CoreCodec, the creators of the free Matroska container format and developers of CoreAVC, to make x264 as widely available as possible in the world of commercial software as it is in the world of open source. All of this is already filtering back to benefiting x264 users, with many bugs being reported by commercial licensees as well as some code contributed.

  Today, we announce the first commercial consumer encoding software to switch to x264 : Pegasys Inc.’s TMPGEnc. Expect many more to follow : with x264 now available commercially as well as freely, there are few excuses left to use any other H.264 encoder. Vendors of overpriced, underpowered proprietary competitors should begin looking for new jobs.

  (Pegasys press release : English, Japanese)